Shitstorm

A short fictional piece from a long time ago.

by Marcus Jonathan Chapman

“You’re a good writer.”

Lucy always told me that after I mentioned a new piece I was working on. I never believed her. I never believed anyone unless they told me they didn’t like it. I have no confidence in my writing. I think that’s why I keep doing it. Once I stood up on a surfboard I called it quits. I had done it.

That’s the problem with me, I need reassurance. I keep track of dates, remember peoples birthdays, show up at the same place at the same time every day until we apologetically call in with a raspy voice in between vomits to tell our bosses we can’t come in today (I’m not a fan of run on sentences, they never seem to end).

I guess it’s all a cruel joke. I write because my head fills up. Like a gray cloud and when it rains it pours. A class four hurricane is less chaotic. A confident writer is like a four-eyed teen on his first date. I try to believe it but I’ll always know the truth.

If I could just have it all; confidence, whit, humility, a fresh perspective, a unique point of view without any pretension. I might be happy. I might be able to participate in my own existence rather than simply write about it.

Lucy thinks I should let loose. I’m neither up nor down and unless I’m interested, nothing sticks. My interests are excessively fickle for any promises. I drink to have conversations, to care, to show concern and consideration (Next I’ll try expressing myself with words that begin with the letter D).

It takes everything I have to be sincere. being drunk simply makes the spinning slow down for a while. Or maybe the spinning speeds up so fast I don’t notice that I can’t concentrate. Blackout. Either way alcohol nurtures society but absolutely obliterates the individual. I choose not to be a martyr for booze. I don’t believe I ever had the courage to live absolutely on the fringe. Yet I have just enough disdain to keep the television off.

And I write.

A poem.

And I love you
even though
you are gone.

And I sit
in my feelings
and enjoy them
because I am alive.
And then
I feel
the next thing
that comes.

And ancient
cosmonauts
hold up
scepters
in a statue of liberty pose
in the kingdom
of outer space.

And wolves
drip bloody howls
into snow.

And red haired girls
dance
in fields of flowers
with their eyes
closed.

And
I write.

And
I love you
Forever.

Retain, Function, Analysis

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

I haven’t the faintest idea how much I have drunk. I can see what’s left in the bottles and count the beers but those are no indicator as to the capacity or volume of liquid. At least not with my vision in the state it’s in. Perhaps an analysis of my personal ability to consume would be helpful if not at the very least interesting.

My ability to function with certain amounts of H20 and alcohol sometimes astonishes me. Bottles and cans shiver, empty next to the trash can, their use outlived, their spirits transferred into my being. I know that I am able to keep their contents long in the memory of my gut. My guts retention is amazing. A true American in all its glutenous, consumptive old glory.

Like those bottles and cans waiting to be tossed, I too shiver at the thought of needing more. A deep valley, is my body, slowly filling with the trickle of some Joshua tree property hose.

Yet, I still bob my head to the music, play with the dogs, wash the dishes, respond to endless streams of asinine emails and rub out those liquid pearls. What is a man to do with is time, his animal instincts and his intellect? To eat, to masturbate, to read, write and paint. That is how time is measured; in tasks, ideas, grunts and the reckonings of shame and regret.

Some of us take up our kitchen knives and create memories for our bellies. Some of us take up our kitchen knives and create outlets for pain. So much pain. What do we do with this pain? I don’t know, refer to how I spend my time.

The optimist believes in something greater, always better, a rising sun. The pessimist believes in nothing, see’s everything, the rising of the sun, its heat, its cancer, its vitamin D and its setting. The pessimist sees what is and optimist sees what could be. No one is only one of those things. It’s impossible to board an airplane and never think of its crashing.

Reasons to drink

Thoughts on growing up middle-class in America.

by Marcus Jonathan Chapman

At 3-4 years old I was asked which animals I wanted to pet in heaven. I was told from which star our savior would come. I was taught how to pray.

At 10-11 years old I got in trouble in my school for reading a book about my favorite dinosaurs, Velociraptors.

At 15 my grandfather attempted suicide. It was never talked about from that day forward, even though I saw him in a sterile facility, hair wispy, with a wrist band and hospital gown. I was asked if I wanted to go to church. I stayed home and watched stand-up instead.

At 33 I separated from my wife.

At 35 I get divorced.

At 34 I meet a real woman, I pee in my backyard, rent out a room to my best friend whom I met in rehab and do my best to limit my smoking and drinking.

And at some point I’ll stop listening.

I grew up in the land of mid-sized sedans, mini-vans and low-end luxury vehicles. The land where rap was tolerated as a phase instead of the gospel of fellow Americans. The land where men wore suits but ordered water when eating out on occasion. Where they preached loving they neighbor but threw their money at stained-glass windows and steeples.

I grew up in the land where causes had the opulence of being accessorized, awarded, badg-ed and medal-ed in. First place goes to the woman with her heart on her sleeve. What’s her prize? A podcast, followers and the right to perceive. Second place is forgotten.

I grew up where cultures were worn on the runway; tagged, liked and put to bed with the 24-hour news cycle. Where smiling with brace-corrected teeth was more important than listening. Where dents on garages were ignored for blue-tooth mirages. Where the placation of expressed problems were as cute as a stay-cation meme.

Meme, meme, me, me, me ,me: a virus of non-essential, feel-good, self-righteous, resting above comfortable but just below content ideas spread through imitation. Where love is shared with those who succeed and for those who don’t, martyrs are made. Where thought, like above, are unclear, influenced by what’s trending, not by what’s right.

I grew up where grandfather’s worked hard, father’s built empires and grandson’s teetered on their shoulders reaching for wisps of clouds. My hands are too soft, my mind too dull and my heart too brittle.

Where quarantine is spent at home with no reduction in grocery bills and no one wonders if today is the day. where there’s the luxury of debate, unpopular opinions and fundraising for traveling missionaries.

I grew up in the land where 14-year-olds built houses in foreign countries. Where 15-year-olds drove Mercedes-Benz and 16-year-olds started thinking about their parent’s colleges.

I grew up where authority is referred to on bend-ed knee but you don’t know what authority is. Authority is a running tally of wrist scars. Authority is counting days sober. Authority is orgasm at will. Authority is false teeth, cauliflower ears, and a crooked nose. Authority drags around an oxygen tank with wheezing breaths. Authority isn’t found on any screen, it rolls in a wheel-chair and dictates its will to on one.

I grew up where drugs, alcohol, pornography and other vice are worshiped for six days and absolved on the seventh. Where respect goes to the shiniest cars and the tannest chins. Where those who care the least are crowned the Kings and Queens of cool. A land of illusion where death is a shock at any age and life comes with medical, dental, optical and, a life insurance policy. Where people wait for bread with crossed arms and a tapping foot. Where necessity means a lack of excess and ignorance is an offer color joke chuckled at in church parking lots.

I grew up in the land of recycled boxes. Where one hundred rolls of toilet paper will never sell when on the self next to one-thousand roll packs for just a dollar ninety-nine more. Where emotions are changed by the click of a remote or swipe of a playlist.

No one taught me how to drink but Bukowski. No one taught me love but Shakespeare. No one taught me life’s lack of meaning but Seinfeld. No one taught me how to become a garbage pail for any drug passed my way but my lack of satisfaction. but I have a foot print on my ass the size of the middle class. Its kicked into my dockers in the direction of complacency, American democracy and mediocrity.

Patience, Large, Presidency

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

I’ve been giving brow furrowing thought to uprooting my life and changing it radically. Thoughts that slow my steps when I walk, strip away all that’s around me and humble me in the chest. What are the things I have? So fortunate am I to have them, when compared to the other. Yet, perhaps, they are not what I should have.

For this thought to manifest in any sort of tangible way requires patience. A sort of patience that I have not practiced in my 34 years of consciousness, of which the prospect of practicing looms large over head. A weight that pushes down on my and wrinkles my forehead. What are the things I want, if they are not the things I have? Is it as simple as wanting the things I have? Or is it a question of adventure, a simple matter of trying, failing, trying, failing, trying, failing, and defining success out of those efforts. That is the currency of patience.

The presidency is touted as one of the hardest jobs on the planet. but why is this question only whispered in underground places, is it even a job that should exist? Should there be a thing so unreasonable, so unsatisfying for all of us that it exists? Why can we not question the existence of something we once created?

And so I find myself, questioning my existence. What have I created? It’s not a question of regret or satisfaction, it’s a question that follows; having done this, am I still satisfied continuing to do the same? What do I want next? What is my next challenge?

That I write is not in question. However, what I write about always changes. And so likewise, I will be until I am dead, but I need not be doing the same things.

Such a radical change in existence is daunting. To move from the home I’ve created. To move from the job in which I found a voice. To move from a room where there is light and identifiable shapes into a room that is dark and filled mostly with shadows.

It’s not a question of purpose. To treat purpose like some treasure to be found with or without a map is to take away ones own intrinsic value. I believe, for me, it is a matter of finding what is next. What will be. What may be, if I simply try.

It comes down to a simple act, however, a simple act becomes difficult when the opposite of actions have become habit. To not do becomes more comfortable than to do. To be a passive observer of ones life. To consume. To applaud the achievements of others while allowing that recurring monologue in my mind to run like a ticker tape around my mind, reminding me that there is more in me than I have allowed myself to express.

I must also recognize the place I am in. To be kind to myself. To understand that I am not a machine, not a creation built by man but made from natural acts and self-created. To think otherwise is to undermine existence itself. The pressure I may feel to determine a future, my future, is wholly my own.

I have placed that looming prospect of patience and radical change over my head. And so I must recognize that that is okay. That I am not at the summit but at the base of a journey I am willing myself to take. A journey all at once formidable and exhilarating.

I am at the beginning of an end. Or perhaps it is the very beginning of a new beginning. Whatever this phase, this time, this place. I am open to the idea and an idea is the most natural creation of man.

Rope, Blind, Sword

by Marcus Jonathan Chapman

I step outside and look around at all the legs and torsos around me. I can’t see too far because of the fog around my head. Everything is monochrome, it’s always been monochrome but I have a feeling that I’m missing color. It’s a dull ache and I suspect that the heads of those around me, attached to the necks, torsos, and legs of those passing me in the fog, poke through the clouds above. Others breath fresh air, they see colors above the fog, they feel and express those feelings.

I stand on my toes and crane my neck, willing my head past the clouds to something else. I never seem to be able to reach it. I’ve stacked crates, books, climbed ladders, but I can never get high enough to see past the monochrome.

Sometimes, I’ll go to a bar and some old man will push a glass full of gold with bubbles in my direction. I drink it and I catch glimpses of brightness, take deep breaths and feel something in my chest, rattling at my rib cage. Some moments there’s a tiger biting at the bars and other moments there’s a mouse passing freely throughout the world of my body. The bubbles in my glass fizz and pop but my head is tilted toward the sky.

There must be a reason young men look up at the sky and shake their fists while old men stare at the ground and rub their tired hands. I was born to die but while I wait I wave my hand in a long, slow goodbye. My eyes see but I think I’m blind. Ropes are for tying down and swords are for cutting but love is for those still waving goodbye.

Tower, Light, Cup

by Marcus Jonathan Chapman

I caught a glimpse of a tower made of white brick. The squares were stacked in such a way that they spiraled all the way to the top of the spire. The tower seemed to glow, by the light of the moon or the beams of the sun. Something about the structure compelled me to see it up close, to feel the texture of the brick and get to know the inside of the building. That day, however, I was stuck on a boat. It was stormy and there were no ports on this side of the peninsula.

Through the angry clouds and assault of spray from the waves battering the boat, I stared. My eyes stung from salt. My body ached from gripping tightly to ropes and climbing rigging, all to pull us out of the deep ocean and closer to land.

Sun peaked through the clouds and shone on that white tower. I dropped my ropes and grabbed the railing. I needed to go there, it represented hope, safety, security, reassurance and warmth. It took all my instincts of self-preservation to stop me from hopping over the rail and swimming the impossible length to shore. So I stared.

Seagulls orbited the tower like nymphs dancing around a fire. Green grass and brown clumps of hairy shrubs bowed toward the tower. The storm seemed to calm but I knew that really, my focus was not on the tumult happening all around me, I was only fixated on something that I could not reach.

It wasn’t the right time so I made my way all around the boat, following the white column as we moved around the sound. I stared at the spot where I knew the tower stood long after it had disappeared over the horizon. One day I would see it again and with any luck, the conditions would allow me to explore that magnificent structure.

For now I would have to be satisfied with my cup of whiskey and the memory of having seen it. I know that a tower such as that will always be there, even if not for me, but it will be there, strong and beautiful.

Consensus, Map, Musical

by Marcus Jonathan Chapman

In a dream I heard the words whispered, “Her essence is so old it no longer recognizes the shadows of life.” I don’t know what it meant but the voice was musical in my sleep but I woke up with a familiar pain. One for which I no longer have a name.

It was the ache of having lived a life uncharted, with no direction, no map. The aimless wandering of a fool searching for any glint of recognition in human or animal. Wild animals are becoming more familiar, trapped in their loneliness, distrustful of anything outside their instincts. My base desires becoming needs.

I no longer live like the others. I understand those mysterious untimely deaths. They are of habits known only to the deceased, leaving everyone living to wonder why. Close relatives believing what danger surrounded their loved one is something that used to be not knowing that the danger is. Always.

Can it be contagious? Does it become an itch to which their is only one scratch?

Ring, Bitter, Detach

3 things to inspire 1 story written in 20 minutes. #story320
words/phrase provided by https://wordcounter.net/random-word-generator

The duplex shook from the beats and the dancing. No conversations were really had. A few people mouthed words at each other but no one could tell if they were actually speaking.

Standing on the weaker spots of the hard wood floor, your eyes couldn’t adjust because of the vibrations.

For days after, attendees complained about the constant ringing echoing in their heads. When they compared notes they realized the ring was pulling their attention from anything else.

The part was one of those events that you can recall in slow motion in your head. I wonder if that has always happened or if movies created that phenomena?

Wrists hanging in the air and flopping in time to music. The guy walking sideways through everyone, looking pale, trying to make it to the bathroom or at least outside. The girl with her eyes closed, detached from everyone around her, just dancing.

The memory stays long in the mind, perhaps fuzzy around the edges but still pulled into sharp focus. An experience of many bodies becoming one body of positive energy.

A good party is the euphoria preachers attribute to heavenly things. Their tone beginning to sound bitter about putting off instant pleasure when they elaborate and expound for hours on how great the rewards after death will be.

A good party and the memory of having been there, swaying with the rest. god’s breath moving all the blades of grass to and fro in unison. but a god isn’t necessary to the partiers.

Or perhaps I was drunk and it wasn’t so great. The memory, though is still a good one.

Here’s to party’s and the glimpse of memory you may be lucky enough to have of them.

Railway, Mountainous, Short

3 things to inspire 1 story written in 20 minutes. #story320
words/phrase provided by https://wordcounter.net/random-word-generator

In the Yukon there is a train that runs through the mountains. How the builders of this railway constructed those hundreds of miles of perfectly parallel lines through rocky, mountainous terrain, is a wonder every bit as spectacular as the views from the cars.

My grandfather loved that trip. We took a boat from Seattle to Alaska and floated around the last frontier. He was all smiles, a grin that covered his teeth but ran ear to ear.

On the train we rode during a day trip, he bought a hat as a souvenir. He wore that hat almost everyday until he went to the hospital for the last time.

I don’t know why I’m thinking about him now but I do know that I often think about him during times when I have a lot on my mind.

All my life I’ve been compared to my grandfather. The same short, stocky build. The same generally mild temperament but with a rare temper.

I think about where I am in life and the things I’ve gone through to get here. Normally I compare them to my grandfathers life and the things he went through.

None of it was remotely the same but somehow we’re similar.

The question I have for myself now is what am I thinking about that has me going through this exercise.

Maybe there is no reason. Maybe it’s year seven and all my cells have completely changed, I’m a different person. Maybe it’s just bed time.

Whatever reason, I know I’m thinking about my grandpa, wearing that velcro strap hat with “Alaska” written on the crown of the cap and he’s smiling.

Peca, “Cara same”, Brioche

3 things to inspire 1 story written in 20 minutes. #story320
words/phrase provided by https://wordcounter.net/random-word-generator

I broke my rule of selecting 3 words. I also broke some of a relationship. A relationship that has out grown me while I’m stuck thinking about that kid I used to call Peca, “Cara same”, and, to a lesser degree, Brioche. Those were names to tease and laugh. Now, they no longer fit.

Briana Marie Chapman, those three words have out grown me. Those three proper nouns were tossed at me on the sound-wave of a giggle and I threw them back with a snarl and a wave of a my middle finger.

I was wrong. I’ve thought about it everyday since but have been too much of a coward to tell you anything directly.

I guess I wanted to figure out why I feel this way–felt this way. I wanted to be justified but really, I don’t know you as Briana Marie Chapman. Which is a strange thing because I hold you in such high regard. I always have.

From watching you pick up rodents and reptiles with no problem, to literally climbing up the walls to holding your own against my teasing which culminated in leaving a red hand print on my back. All the way to teaching for a year on your own in a country where the language was completely foreign to you. To your latest endeavors.

I’m proud of that person, who from afar, I know as Briana Marie Chapman. The first person I call to tell important things, “I bought a ring, I’m engaged, I’m going to rehab.” That’s a trust I never question.

That’s peca, “cara same”, and brioche, but really it’s not. It’s B.M.C., always has been and I have a hunch that my retarded grasp on that fact has something to do with our distance. I think, subconsciously I held/hold an idea of your and not what is. So I haven’t grown with the relationship, instead I feel like a kid holding onto his tattered piece of “blanky”. I’m a grown man holding up a few memories that no longer fit.

I’m mostly sad and angry that for some reason or another I’m not a part of your life. Something for which I can only blame myself.