Blackout Drinking

A short piece written in 2005.

by Marcus Jonathan Chapman

The first time I reached zombie state. My body was still moving but my mind was gone. Bumping into people and things full of alcohol, hops and vomit jostling around after every step. I don’t think I ever felt better in my life. I had on a button up shirt and some jeans, I mumbled something unintelligible through shiny lips and heavy eyes. I saw someone smoking a cigarette that I would have never imagined. My threshold for surprise is changing right before my eyes, which are going blind. Oh god pull over now. Jesus. Ive never felt worse in my life.


BLACK
BLACK
BLACK
BLACK
BLACK

Telling Dad I drink too much

A short experience written in 2008.

by Marcus Jonathan Chapman

Hey dad, I think I drink too much. I’ve had alcohol at parties but I’m starting to find that I’m drinking or having more drinks outside of parties than I do when I am at them. I drink to do homework or stay in my room and drink. I’ve even gone to a few classes after drinking. I’m not sure what to do and I know sometimes for some things, they get worse before they get better and I wanted to nip this in the bud just in case this was one of those things. Well, thanks for listening.


“Hello. Yes my father sent me over here to talk about, well I think I’m drinking too much. I drink all the time. Do I think I’m an alcoholic? Well I don’t know. I’m not always red faced and waddling around. I mean I keep a little stubble on my face and my hair isn’t really styled but I don’t drink out of a paper bag and live under a bridge, I’m in college and I’m doing well, academically.”


“Whiskey mostly. I drink beer too, 40 ounces at a time when I do but most of the time whiskey because it gets me to the feeling quicker and to be honest I don’t feel as heavy when I drink it. Yeah, that’s true all of the people I know drink, it seems normal at my age. You’re probably right. College is a unique experience. I’m sure it’s just a phase too, you’re right. Thank you, I feel better. Oh well, and you seem to be doing alright. So I think I’ll be fine. Thank you for your time, how much will that be? Okay, do you take cheques? Perfect. Thanks again. Oh and thank you for the copy of Alcoholics Anonymous.”

You or me

A short piece, September 16, 2020

by Marcus Jonathan Chapman

It is far riskier to live than to be dead. I will die, so I may as well behave as if I never will. Life is made miserable by the well-intended and mal-intended alike. Both similar in their impositions on life, though one may have the self in mind while the other follows their ego.

In the quest for all our somethings, we choose to be seen by what we do for ourselves or by what we do for others. I want to consider the other but not at the expense of self. I want to consider the self but not at the expense of the other.

Existentialism lacking altruism or altruism lacking existentialism. A panacea for existence does not exist.

And so, remember, I wrote this under a yellow porch light, slapping at mosquitoes, coughing up smoke from wild fires and thinking of me or you, or me.

Social Security

A short poem, 2013.

by Marcus Jonathan Chapman

A little boy sat on a bench in a park,
watching old men play their game. 

One moved his piece,
they frowned and they slouched,
then the other accomplished the same. 

The castles moved straight,
the horses made hooks
as the black and white shapes met their fate. 

The boy slightly shifted,
his gaze never lifted,
as the sun slowly made her escape.

The men’s eyes creased wrinkles
as moves spotted became twinkles
and their hands became part of the pieces. 

The boy closed his eyes,
looked up to the skies
and asked god why this game never ceases. 

God gave its reply
in the form of a sigh
but the men and their game stayed the same. 

The boy shook with cold,
looked back at the old
and decided that he would proclaim:

“I know I’m too young
for all of your fun
but it’s getting quite cold you see. 

My mother is waiting
but I’m still debating
if this is the game for me. 

I wanted to know
before I did grow
who would be left with his king. 

So I’m asking quite nicely
if you’ll play concisely
and finish this game before spring.”

The men gave a chuckle,
one grabbed his buckle,
as the boy cocked his head to the side. 

The old men gave advice,
hoping that would suffice
but the boy sauntered right up beside. 

Without making a scene,
he reached for the Queen
and moved in a line that was straight. 

The old eyes got wide,
the boy swelled with pride
as the man on the right cried,
“Checkmate!”

My first song after choosing to be sober

A short story, 2019, draft.

by Marcus Jonathan Chapman

I shimmy through a sea of arms and shoulders. Eyes watering from clouds of cologne. My angel grabs tight to my fingers, pulling us through. I am in the pub. Tonight will show me what life is like with everything in sharp focus.


Our party is already seated. The walk to our table seems straight forward. First, we need to pass the thirsty bar-stoolers, fingers tapping lazily on the bar for their next hit. The smell of wet oats and alcohol hits me. I shake my head to stay focused.


Next obstacle; stairs. Hang on to the railing and hope the next step rises to the occasion. I hope my knees can take it. Good, the ground is exactly where it should be. My angel lifts her hand and moves it side to side, gaining the attention of the beings we are meeting. She stops in front of an empty chair.


Quick! While I’m distracted, step onto the floor! I land with both feet on the same plane. So far everything is as I perceive it to be.


The table is covered in cloth and surrounded by chairs. The other patrons seem to be seated comfortably. I keep myself steady with one hand on my angel’s back, under the guise of
rubbing her wings. On closer inspection of the table, I see a plate aligned with a chair along with a rolled-up cloth. I reach out and grab it. Something inside, silverware, or so my instincts (what’s left of them) tell me.


I press a corner of the napkin between two fingers and let the other digits loose. CLANK! As I suspect, a fork, butter knife and a spoon collapse and lay still. I look around the table. The other patrons, I presume my fellow dinner mates, begin rolling their napkins on their laps. I grab the fork before pulling out the chair my ass will be occupying for the evening.


I notice the lighting. No sun. Only lamps. Again, as it should be or at least as I’ve perceived it before. Strings of bulbs on wires hang from bare wood jutting out of a concrete ceiling. The wood, slats of brown, knotted, un-sanded 2×4’s or 4×8’s or 8×16’s or 16×32’s or whatever. For a split second my arm stretches to the ceiling, my hand drops the fork and rubs against the beam. Splinters press into the skin of my fingers, bulging under the fingernails and squeezing into the palms. The chair squeaks and the splinters pull out of the hand as the arm collapses back into its socket. I take my seat.


I look around at the others seated at the table. I don’t know yet if they’re people. I haven’t even figured out if I am to be human for the evening. I search their faces for a clue, a cue to mirror their behavior, but careful not to mock.


The smell of the room seemed to be a mixture of cooking, alcohol, cigarettes, perfumes and lotions. Smells I was familiar with, the smells of death. I began to feel as if I belonged. My neck loosened and I looked around the room. Steaming dishes balanced on the extended fingers and outstretched arms of the runners. The runners wear small square hats with a wire running down to the corners of their mouths keeping them in a smile. A small trough extends from their belts and collects the drool sliding down their chins. The runners shuffle quickly from table to table nodding, taking, placing and scribbling in notebooks with final stage Parkinson ferocity.


A runner waddles up to our table, she wipes saliva from her notebook and asks, “How are we all doing this evening.” The collective response transports me to a farmyard with a herd of lowing cattle, indecipherable mumbling and grunting. We remain rather porcine, no matter the sophistication and setting of the trough. I cluck, feeling a string pull one side of my mouth upwards, or at least away from my chin.


The runner seems either satisfied or uninterested in our bovine reaction and continues, “What are we having to drink tonight? What are we having to drink tonight?” the voice lowers six octaves, “What are we having to drink tonight?” The voice now lisps. “What are we having to drink tonight?” The voice slips behind my eyes and massages some dusty grey matter. Perhaps I have been here before, perhaps this is something I know, but the voices are different. The faces different. It is the experience that is familiar. “I’ll have a water.” The feeling of familiarity stops. The runner scribbles furiously as the heads around the table call out their orders.


I watch, admiring the confidence related to their vices.


The runner shuffles off, leaving a string of drool on one of the face painted long haired beings. They call it she and they call me he. She doesn’t notice and her unassisted smile is my hint to stay quiet. Across from me the angel glows. Next to me the being is morphing. He morphs. A loose shape whose ghost I catch glimpses of with each flicker of his movements. It is, I suspect, the man’s shell. The ghost living just outside of the man’s conscience. It lags just long enough for me to catch the eye of his self. He turns to me and smiles. My subconscious smiles back and we release the grip on our Freudian handshake.


The runner returns, alcohol hoisted proudly on a silver platter, like the head of John the Baptist. The runner shuffles around the table, she sets down my water and I notice a muscle on her cheek struggling under the pull of the wire. The runner catches my eye and winks. “Are we ready to order?”
The table produces an audible lowing but the being next to me manages to force out their words, “Yes.” I point and nod at the menu. The runner’s wrist scribbles furiously, as if possessed by each order. The runner smiles and continues around the table.


Three men walk into the room carrying instruments. One a drummer, one a bass guitarist and one a pianist. The lull of voices, clink of glasses, steps of runners, coughing, laughing, and chewing continue around the room. The three men walk past me. I turn my head and pull my upper body around to look, bracing myself with one hand on the chair.


The pianist carefully pulls out a seat tucked under the piano. He sits and peels back the upper lip of the piano, revealing yellow and black teeth. The pianist scratches his beard, losing his fingers in the red and grey mat. White flakes drift onto his lap. Having escaped his beard, his fingers now press together, crushing each other with audible “pops” and “cracks”. Then the pianist flicks the pianos teeth.


The chatter in the room continues; the runners take orders and carry edibles on platters. The sounds of laughter, eating and drinking fill the room. The guitarist sits on a chair designed to furnish potluck halls and meeting rooms of whatever Anonymous. He flips the latch of his case and unsheathes a white bass guitar. A glint makes my eyes jump to a spot on its edge.


It leads my eye down aluminum strings to a spot where the bassist places his hand. He begins thumping the fat belly of the guitar.


I look up to see the bassist’s face and catch the end of his glance. Either his eyes are rolled back in his head or he is blind. He looks down at a little black box with the whites of his eyes and inserts a card. A deep hum and vibrating buzz creep into my ears and for a moment, meld with my own neural connections. As the guitarist begins to strum faster, I look over at the drummer.


I hear the taps of the snare lock as he pulls a hand free from under the drum. His left foot presses the peddle into the flesh of the biggest drum. He picks up sticks with his right hand and runs his thumb along the edge of a cymbal. His hand jerks back and he sucks it, closing his eyes. I crane my neck to see what happened. He pulls his thumb away from his mouth and puts a drumstick in each hand. He starts tapping on the overstretched skins below him. Red trickles down the neck of the rightmost drumstick.
The mouths around the room continue expelling their contents. The runners move from table to table, smiling and drooling. Glasses and silverware clink, clank and chip dishes. I turn my back to the musicians. My angel smiles and begins eating. I look down and notice my own food below me. I reach for a utensil but stop short. The dissonant, sometimes melodic growling of the bass guitar jerks my head back towards the three men and their instruments.


The growl is met with the screams and howls of the piano. But it is the steady panting and pawing of the drums that paralyzes me. It rips away my attention and leaves me with just enough breath to continue using my eyes. I no longer feel my body against the chair. Am I beginning to float?


A hot brand sizzles in my back, twists me around and sends my eyes spinning in all directions, looking for the person who said my name. I stifle rage. I know how unsightly raw emotion can be to those without drink. I pull the square box from my pocket. I place it on my head and extend the two wires that end with small hooks, sharp hooks. I stretch the corners of my mouth up to each hook and hang them there. The pain cranks open a valve and the rage steams out. With what I know to be a smile on my face, I reply, “Yes, what was that?”


“What do you do?” I tap the box on my head, the wires pull my lips up and dig their hooks in deeper. “I work in a place doing things.”


“Oh, really, that’s neat. Do you like it?”


“Yes, very much. What do you do?” I tap the box on my head, my right eye is beginning to water. While they reply, I dab the tear away with the back of my finger.


“I work in a place doing things. I like it.” I nod and look around at the others catching lines from the script. “He said something, she didn’t like it, they got mad and now I’ll tell you my opinion.”


“Well, I was born, then I learned, now I spend time doing something.”


“I had my eyes open and saw a picture of a man telling me to buy food here, so I told other people what the man told me and now we’re here.”


The beast with three bodies paws and snorts behind me, drowning out the sets of clacking teeth in front of me. I catch the face of my angel smiling. Out of habit I glance at the top of her head already knowing that she does not need a box to pull her mouth away from her chin. Her smile indicates that all is normal.


The beast screeches behind me. I turn. The bass guitar roars and stamps at the ground, pounding its blunt hooves in through the sides of my head. Each flick of the finger against the steel strings threatens to rip open my rib cage. The drums boom and thud against my chest. Each attacking wave threatens to steal the beating of my heart and replace it with its own. Or still my heart forever.


Through the roaring and the pounding, the pianist keeps my hair at attention. His vibrations travel under my skin, leaving bumps up and down the lengths of my arms and legs.


The corners of the pianist’s mouth begin pulling up, wrinkling his eyes and changing the shape of his beard. My eyes catch a drop of red splashing next to the pianist’s foot.


The pianist’s hands contort, twist and convulse. Some element is being exorcised from those hands. They bounce off of the piano’s teeth. Another drop of red splashes onto the floor, this time adding to the percussive flurry banging my ear drums. A third drop falls and before the slow-motion crown of liquid impact can rest, a fourth red drop breaks it.


In a distant, foggy memory I can hear clinking glass, silverware scraping on ceramic, idle chatter and clacking teeth. The beast in front of me abducts my senses and possesses my body. I convulse back and forth in time with its movements.


I close my eyes, but darkness does not greet me. My mind splayed and folded, projects out onto the skin of my closed eyes. The stuff of dreams, ideas and memories pool together, and the beast pushes me into the deep end. I rock back and forth in furious rhythm while my head sways side to side.


The box on my head tilts backwards and pulls my cheeks up to my ears leaving my mouth wide. Deep red lines curve up the sides of my cheeks. Red drips from the corners of my mouth. I watch it pool around my feet and soak into my lap.


The pianist seems to enjoy his plight. Blood from his hands ooze from the piano’s teeth and waterfalls down to the floor. As the musicians grow uglier and closer to death, the music they play grows sweeter. More mesmerizing. The musicians cling to their instruments, or try as much as possible to hang on while their bodies deteriorate.


Blood makes its way from where the musicians play to the steps I earlier descended. No one else seems to notice. The runners splash through the rising stream. Blood soaks up their pant legs and the occasional chunk of gore sticks to their uniforms.


A patron at the bar slumps off his stool and falls face first into the now raging river. Blood drips from his hands and off of his eyelids. He slaps one bloody hand on the bar stool and the other grips the edge of the bar. He sits up and reaches for his drink. As he drinks, blood from his hand falls down the glass and collects around his lips. In the corners, the blood mixes with the alcohol in his mouth. He doesn’t seem to notice.


Staring at the intoxicated barfly, I notice a ringing in my ears, the same ringing that occurs when one speaks out loud and hears the echoes of his own words in his mind but nothing banging on his eardrums.


The blood now up to my neck I stand up and turn to see the musicians slumped over their instruments, nearly submerged. The diners around me continue their droning, utensils and glasses now pinging like radar from a submarine. A few of the listeners attempt to clap but the amount of blood in the room only allows for splashy, muffled thuds that sent red flecks on their faces.


Cool and calm the entire evening, my eyes begin darting around the room. Every one of my senses are plugged into the buzzing amp of the bass guitar. I wade through the blood toward the barfly; I know the way out is just beyond him. Pulling myself in his direction, I catch a glimpse of the light from fluorescent streetlamps peeking through the windows. My foot slams against something hard. I lose my balance and am instantly submerged in the blood.


My arms flail frantically, my hands create whirlpools of blood as they grab at nothing. A hand touches my back, and another grabs my hand. Panic leaves and my feet touch solid ground. I emerge, wiping blood from my face and turning to look at my rescuer. It is my angel who parts the red sea and seems untouched by the clotting blood. Her hand still grips mine; we move to the door; the blood seems to have drained.


We pass the barfly, now covered in a brownish cracking paste, still guzzling his beer. Cold air blasts me and I turn to see my angel pushing the door open. I blink and my senses return. I can hear myself breathing. I haven’t touched a drop of alcohol, instead I swam in the bloodbath.

Kids

A short story, 2018.

By Marcus Jonathan Chapman

I stepped out of the Vault.  I could only stomach so many drinks on open mic night.  I lit a cigarette and closed my eyes for the first inhale.  The pure puff.  I didn’t need a reason to drink but the first cigarette after wetting my throat was as good as any.  I could feel the smoke coating all the way down to my esophagus.  I held for a second then let the smoke waft out of my mouth.

I had gone out by myself.  The feeling was exhilarating because I knew how others looked at the lonely guy at the bar.  Going to parties or out with friends was predictable.  Sure, I would laugh and make others laugh but there were so many other emotions.  I flicked my cigarette and headed for the underground bar located two blocks away.  I had only been there twice before.  The crowd out front usually consisted of sun burnt felons with purchase stickers on their flipped-up baseball caps.  The thought and the alcohol made my blood angry.  I lit another cigarette to relieve the unwanted stress.  Rounding a corner, I looked across the street at the entrance.  A kid about 7 years old stood out front squatting down, tilting back and forth.  After crossing the street, I saw it was a little girl.  I was curious.

     “What are you doing out here?”

She didn’t look up but responded cheerily.

     “Waiting for my mommy.”

It was nearly midnight.

     “Where is she?”

I became conscious of my cigarette.

     “She’s downstairs.”

     “In the bar?”

I flicked my cigarette away from her.

     “Yeah.”

I thought about being noble and telling her mom off but decided that getting rid of my cancer stick was enough.

     “Okay, well be careful up here.”

     “Okay.”

     “And don’t talk to strangers.”

     “Okay.”

It wouldn’t ruin my evening because nothing beats the excitement of entering a bar.  It feels like waiting for the ball to drop at the roulette table.  Except the odds are always in my favor.  I walked up to the bar and placed my bet.

     “A jack and coke, please and a pint of whatever.”

I pushed the chair next to me a few inches further away.  I always got too restless at the counter.  The barkeep came back with my drinks and grabbed the money I put on the table.  I was a winner.  What I did with my winnings was unpredictable.  Often, I never knew how an evening would end.  I finished off the jack and coke in three gulps.  There was more beer, so it took a few more swigs.  It was time for a cigarette.  The trip upstairs was a little more cautious than the jog down.  I had plenty of time to pad my fresh pack, rip the plastic, tear the paper and flip a fag up with my thumb.  I pulled the cigarette out with my lips and stepped outside.  A couple were doubled over laughing and trying to say…something.  I smiled and raised my eyebrows as I fished for my lighter. 

The boyfriend made his way to me.

     “Dude, dude, dude.”

     “What’s up?”  I chuckled to be polite, but his laughter was contagious.

     “We just saw this homeless man.”

This sent them both into a guffaw.  I sent out an amused snort, realizing I was trapped, at least until he got to the punchline.  The girlfriend composed herself.

     “We saw this homeless guy walk by and his pants were sagging all the way down PAST his ass.”

The boyfriend picked it up from there.

     “And he was pushing his cart in front of him and shuffling like Frankenstein.”

The two lost it again and I thought about correcting the boyfriend.  Doctor Frankenstein was the creator of the creature.  The creature had no name.  A device probably used to further the creatures struggle with its identity.  I realized I was boring myself and didn’t think the couple would give a shit about what I had gleaned from my literary criticism class.

     The couple’s laughter died down and we talked.

     “I’m Charlie, Cigarette?”  I offered.

I don’t remember their names, but we talked.  Where you from?  What do you do?  How long have you lived there?  They were nearing the fork in the conversation where strangers either become friends or never see each other again.  Then the boyfriend said something that really impressed me.

     “Well now that the bullshit is out of the way, how about some weed?”

I thought about it for a few cigarette drags.

     “I appreciate the offer, but I had an experience with a demon in a bathroom the last time I mixed.”

     “Oh shit, you trip out?”

     “You could say that.”

     “I’m sorry bro.”

     “No worries, now I mainly stick to spirits.”

     “Then let’s get a drink!”

We hoofed downstairs and livened up the near empty underground bar.  We ordered drinks.  The couple would talk.  I would talk then we would all laugh.  Nothing would be remembered in the morning.  We all spoke freely. The girl sat down while the boyfriend and I laughed and patted each other on the back.

The boyfriend was getting horny.

     “Babe, you tired?  You want to leave?”

     “No let’s just get out of here.”

     “She’s right.”  I said, “This place is dead.  Let’s go to the Vault.  It’s a bar just a couple blocks away.  I want a cigarette anyway.”

We started our final trek up the stairs and the boyfriend shouted out.

     “Fuck this place!”

I laughed and high-fived him while his girlfriend looked mortified. 

I was drunk.  I handed out cigarettes and cut across the street toward the Vault.  By this time all the amateurs would be gone.  It was time to do some drinking.  The boyfriend ordered us three beers.  I was extremely grateful, but I ordered another jack and coke.  I didn’t like to take chances. 

We bullshit some more.  The couple danced.  I can never remember names.  Then the girl danced alone.  I was towing the line between drunk and insanity.  I sat quietly responding on auto-pilot.  The girl stopped dancing and the boy went to the bathroom.  She sat across from me and stared into my eyes.  She bit her lip.  Leaning on one arm she slid her finger up and down her bra strap. 

I watched the tip of her finger from the top of her shoulder to the top of her breast.  Her leg touched mine and mimicked the motion of her finger.  I looked toward the bathroom.  I stood up somber and put a cigarette in my mouth.

     “Cigarette?”  I offered.

She didn’t take the bait and continued lusting.  I looked toward the bathroom.

     “I think I’m going to take off.  Where did your boyfriend go?  What was his name?”

     “Why don’t you stick around.  He’ll be in there for a while.  He’s sick.”

     “Oh, well I’ll give him a cigarette when he comes out and call it a night.”

I was intently staring at the bathroom and looked up.  I wanted to get the fuck out of there.

     “Here, why don’t you give him the cigarette.  I’m in and out of consciousness.”

I handed her the cigarette.  She continued to stare. I could feel her horny, cheating eyes following me out the door. I stepped out of the Vault and lit a cigarette.  I closed my eyes, feeling the smoke coat my throat, esophagus and lungs.  I exhaled.  Alone again.

Sabbath Mourning

A short piece, 2012.

by Marcus Jonathan Chapman

I used to be such a good boy. Making promises to my mother about keeping all my senses away from trouble. Every sight, sound, smell, flavor and texture was a blessing from God. Back when tattooed men were frightening and loud talking women made me angry. When skunks didn’t remind me of smoking and mint was just for candy. When a quarter was more valuable in my piggy bank than in my pocket. Back in the days when guns were made of plastic, bullets out of foam and soda was not a mixer. Back when I only had one face. Now here I am on the other side of the coin. And having seen both ends I know that you need both sides to buy a soda.

Vitriol

A short piece, September 10, 2020.

by Marcus Jonathan Chapman

You might read this and you might know me, or at least think that you do, but only those close right now know what I’m up to. I’m not the past, I’m not my experiences, or my family. Those may inform my choices but I am really only what I choose to do right now. So fuck you.

I sharpen my pencil when the letters get fatter on the page. Like a drop of blood sucked into the syringe of an addicts needle, you turn away your attention when my words bleed into your idea of me, just before plunging in your comfortable narrative.

Me? What a crazy concept. A ball of indie movies and music with arms and feet. A scarecrow mixed with contrarianism and a middle finger.

If you want it, chances are I don’t. if you’re talking about it, chances are I haven’t heard it. If you photograph it, chances are it’s not worth remembering.

This piece of vitriol brought to you by truth. Truth discovered by waving a machete through the dank foliage of your hashtags, peace signs, fake idealism and fear masked by makeup and dancing. Hacking at your need to defend yourself when no on is attacking.

My tips getting fat, it needs to sharpen again. It reminds me of you, I think you should get sharper too. Stop talking about what they tell you to talk about and start talking about why they tell you anything in the first place.

If you’re really against “flaming hot cheetos” that run “democracies” (your word, not mine) like dictators, then either put a bullet in his head or give your jabbering jaw a little slack. I know at least my ears will stop ringing from all your white noise, and it is white noise in more ways than one.

I am a man

A short poem, 2013.

by Marcus Jonathan Chapman

I cry
I curl up under blankets with my hands between my knees and feel safe
I squeal and feel my heart bouncing when I see my dog or baby cousin
My body is beautiful with all its hair
I admire my tattoo’s
I take time to do my hair
I enjoy compliments
I have a hot temper
I am confident in changing a tire
I tremble when jumping a car battery
I struggle with expressing emotion
I feign humbleness when receiving a compliment
I cook breakfast, lunch and dinner
I am a man

I was a lover

A short piece from 2013.

by Marcus Jonathan Chapman

I was a lover before this war and don’t tell me that mental pictures created by TV on the Radio don’t have the power to change chemistries. I am weary, sick and scarred from too many battles in the war of who could care less. When Uncle Ben Folds Five times and still doesn’t learn that the house of the Rising Sun never loses. We know then for whom the bell tolls. A sickening ring that continues its echo, repeating its cold brass answer.

It tolls for thee, for me, for she, and for he. And I refuse to continue wincing at questions of christianity (lowercase, improper noun) or other. It’s not as simple as loving my brother. So I shrug my shoulders at religion, at theology, and democracy, my politics apply only to me. I shrug at the dividing notions of this versus that because I wish to see through he and through she before I get to me.

I walk barefoot on the sand to feel the process of my steps. In the sun or in front of the stars. I open my eyes to fill my mind with everything the light reflects. My ears are open to fill something inside that can’t be described. To write is the most frustrating thing because there are emotions and experiences that will never exist in words. The contrast between black shapes on white space.

I was a lover before this war and I already know the ending. The question of my last breath is either sober or whiskey soaked. The continuous monologue in my mind reaches the end of its reel. I am not making sense but its my senses that make me. I don’t wish to Confucius you but the way of the tao (lowercase, improper noun) is better paved than that of christianity (lowercase, improper noun). If christ (lowercase, improper noun) was the way then that way was tao (you know).

Where are my teeth?

A short piece of prose, or something.

by Marcus Jonathan Chapman

You get so up in your head that you want to flash back to your BMX with the two pegs to ride down the street and back as fast as you can.

Weeks go by. Years go by.

You get so far into your projections. You want to change.

Years go by. Decades go by.

You see your family the same but they’ve all changed but they haven’t stayed the same. You make the same mistakes but with bigger consequences. All around you the t-shirts change, the science changes, sensitivity changes but it’s all still the same.

The body ages but the mind grows chaotic: A frantic camper in the rain racing to drive down stakes into mud. Stuck to stories growing mold, fuzzy but always staying the same.

The sandman doesn’t sprinkle you with dust. St. Nick can’t give you what you want. Christ could be relatable if only he’d made mistakes. You bought the world’s spirits, elixirs and potions but snake oils only erase time for nothing in return. The tooth fairy took all your teeth but I think she also has your innocence, and you never saw a dime.

Too many cooks in the kitchen spoil the soup. Too many voices in your head spoil the creativity. You can spend time but you can never buy it.

The only option is to drive down stakes into moments you never want to let slip.

What it’s like to meet a wonderful woman in the midst of divorce.

by Marcus Jonathan Chapman

It’s like washing up on shore after shipwreck and a two-day storm. You need time to figure out what happened, where you are but you still get down on your knees and kiss the sand.

It’s like wandering through the desert for 28 days. You’re thirsty, hungry, lips cracked, skin red and aching but you’re grateful for the water at the oasis. However, you’re still wondering what happened, where you are.

It’s like crawling for hundreds of miles on your elbows and knees and someone, suddenly, helps you to stand. You are grateful and relieved but also feeling tired and looking down at your bloody joints.

It’s like buying a plot of land, planting one thousand seeds, watering, weeding and watching the plants grow, for years, until at the point of harvest, they bear fruit and someone comes at gun point to take it from you. You wander off the property and are suddenly given land that is double the size with fruit ready to be picked. You wonder how, why, where you are and what happened but you’re all at once grateful, excited and ready to move on. At the same time, you’re wondering what happened, always wondering what happened.

It is getting divorced and finding, on the same day, a girl, a woman, who touches your arm and says, “hi.” Six months later, you’re in love but, you’re wondering where you are and what happened. You’re grateful, excited and ready to move on but at the same time you’re wondering what happened, always wondering what happened, so that you’re not doomed to repeat your mistakes with the unicorn who touched your arm and said hello.

Race, Cry, Item

A short piece incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Starter pistols tuned
to octaves heard by few
rabbits sprint ahead
tortoise’ lumber through

furs blur
cotton tails fly
shells drag
Heads stir

Cataloging status
caterwauling malice
hare dares to stop
tortoise keeps his clop

quickly darting all positions
Slowly, slowly moving on
rabbit rests
tortoise tests

tortoise never rests
rabbit seems to test
finish line in view
rabbit stops for stew

cracking feet
steady beat
tortoise seize
the rat-race cheese

springing feet
halting beat
rabbit freeze
its cocky knees

line is crossed
rabbit lost
rabbit cries
tortoise never stops

Presence, Genuine, Recommendation

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Haunting impressions of weight all around
Hairs raise, spine tingles, eyes dart
Feelings unnoticed when presence is visible

Not seen, indescribable
Not truly what something is said to be
disingenuous

Authority proposes, recommends, imposes
Impotent listen
all are blind

All have a key, a few have influence
Some listen, some give orders
balance

Chaos, agent of too many free thinkers
Order, agent of few thinkers
chaos is order with none of the rules and all of the consequences

I think
I drink
I think
I drink
I

Projection, Obstacle, Hour

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

His mind projected to him what he wanted to see. Perhaps not what he would ever consciously want, what his ego would want, but what his id was subconsciously saying to him. A figure with a beard down past his knees. Gaunt cheeks yellowed with jaundice, as was the rest of his naked skin. His ribs showed and the skin between his collar bones sagged enough to hold a shot of whiskey on both sides.

What he faced now was the inevitable state of his future, if he kept at his current pace, actions and emotions. Somewhere within him, it felt only an hour away. The future he now saw in the mirror.

The only obstacle to this vision of fury, wasted away was that constant voice of societal pressure, pounded into his head since childhood that one must keep up appearances, maintain a stiff upper lip, keeping up decorum triumphs over weakness of the spirit. To see a well groomed, well-maintained, well-dressed figure in front of him would, should and could keep him within the acceptable realm of sanity.

He wanted to be in sanity. Completely doused in rubbing alcohol, clean and pure. Free of the germs of doubt, low self-esteem and decay. Though he secretly felt that what modern psychologists labeled as deficiencies of the mind, were really just the variables that made up a persons character and personality. The stamps of an original individual.

Why should his sanity ever be in question when it swam in the same pool of saturated judgements and opinions as those who were insane and those who labeled others insane. It was all the same doggie paddle, just different ends of the pool.

The difference, he thought, was that some very few felt comfortable swimming completely naked, while most felt the need to cover themselves with that seasons flavor of bathing suit. They were all naked, and sex assured that everyone viewed the clothed and unclothed alike, as naked or potentially naked. And so that question of sanity ran down the same track.

He smiled and wondered just how far into the deep end he could swim. How far he could dive before needing to come up for air. How long he could last before feeling the need to cover his nakedness in front of those who pretended not to be naked behind their trunks, one pieces and bikinis.

What was the point of the bathing suit if everyone already knew the truth underneath?

Sex, Win, Deposit

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Nose lost in cascading curls of hair
tongue tapping ear drums
flesh taught with bumps

Torso writhing
slipping on sweat beaded skin
sweet sweat

Adventurous fingers
traversing dunes, peaks and valleys
pushing in territorial flags

Allied conquistadors
Friendly foe
Choreographed wrestling

Negotiating deposits
Salivary transactions
biting lips, grabbing hips

Incan, Aztec, Roman, Egyptian
Games played ancient
always two winners


Cover, Relation, Hilarious

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Crown me King
I am at
the center.
You may be
sister
cousin
father
mother
brother
but I
am king.

An empire of
foxtails
dust
rotted fence posts
chipping paint

My loyal subjects
crickets
spiders
roaches
ants

My closest relations
anger
acrylic paint
sadness
drink
loneliness
my right hand
anxiety
my bicycle

The crown is
light
The scepter is
missing
The freedom is
looking out
through hard
plastic
packaging,
my case
my cover
molds
to me.

I am king and queen
prince
and princess.
I am jester
jester
Jester

I am dungeon master
and
shackled prisoner.

I am lord and lady
in waiting.
I am peasant
pageboy
Knight
and horse.

I am king
and you
are alien.

I am king
and you
are nothing.

I am jester
and I point
and laugh
at the king.

I am king
and I
am nothing.

Trace, Estimate, Satisfaction

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

His fingers traced the groove that ran down the center of the barrel of the gun. The pointer finger taking a sharp right turn down to the end of the handle.

“And you know how to use that sweaty?” He licked his lips after he said it.

Her thumb clicked the safety off and moved up to the hammer, cocking it back. She double squeezed the trigger as if clicking a computer mouse. One, two shots went into his chest. The second bullet assisted the first through his chest cavity, and past T5 and T6 of the thoracic vertebrae. Her employers required such details so they could verify them with the coroners office and newspapers.

He was wide eyed and taking short halting breaths.

“To answer your question, yes, I do know how to use this thing.” She let it flop back and forth in her hand. “It’s pretty easy really, just squeeze. It’s like using a weed whacker or hand blender. Pretty straight forward.” She holstered the gun in her bra and put her white gloves back on.

“If I had to guess, you have about 10 to 15 minutes of living left to do. That’s a gift in my book, not many people are given the satisfaction of knowing how much time they have before, well you know.” She sat with her legs crossed, bouncing her right foot over her left and her hands stacked on her right knee.

“You…” he tried to say something but the effort produced bloody spittle on his lips.

“If I were you I would take time to review your surroundings. Start with this beautiful hard wood floor and work your way over the Persian rugs, carefully laid over one another as if haphazard, follow them to the base boards and their precision cuts all the way around the room. Take in the eggplant colored walls and up to the crown molding with its striking bevels, curves and lines so elegantly dividing the wall from the ceiling. Take in the Spanish style texture of the white ceiling and follow that to the center piece of the room, the French empire crystal chandelier. Note how it’s trimmed by Swarovski crystals. I bet you never bothered before today, huh?” She winked at him.

His eyes were glazing over but he laid back and stared straight up at the bell shaped light fixture dangling above him.

“If you don’t mind, I’m in a bit of a hurry, so as you pass I’m going to search your pockets for the information I am required to find. I’ll do that now.” She paused, as if waiting for permission, seeing him blink she proceeded.

Bus, Defeat, Miracle

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

He hopped on, paid the fair and took an open bench seat towards the back. Someone had vomited in the seat across the aisle from him. Gripping the handle above him, swaying with the bus, he lifted himself into the window seat and stared out.

The rain drops on the window made all the head lights look like shooting stars passing him. No one was walking the streets. Homeless were huddled at bus shelters, doorways and underneath shop overhangs.

Then, once again, he thought about her, a new her, a more recent her. As quickly as it had begun it had ended and instead of the hurt subsiding, it was rising again.

He lowered his sleeve by raising his arm and twisting his wrist to check the time. 40 minutes to get home, review what he had written so far, think about the new direction for the project and then call Larry. The new project was about his divorce but he couldn’t stop thinking about the girl friend he had had shortly after signing all the paperwork. He had lost her too.

Maybe lost wasn’t the right word, she had come and gone. He had to sit with that. Accept it and not hold onto it. It was too easy, with everything that had happened over the past year and a half, to not view things as defeats stacking up. He was winning in defeats. He snorted and smiled to himself, checking the neighborhood they were in. Two more stops.

No one saw the smile because of the mask he wore, everyone wore. The pandemic was still raging and he thought about how much social distancing he had already lost, now this “act of god.” It would be nice to experience a miracle some time soon rather than disaster after disaster.

One more stop. The bus pulled away from the curb and he watched the red and blue lights of a cop car across the street. They bounced all inside the bus when they passed.

He had to force himself to think about the story. At first a good idea. Taking his recent experience with divorce and creating a fictional horror out of it, exaggerating the feeling of loneliness, strangeness of the once familiar and the questions of what he had done wrong.

The bus stopped, he grabbed his bag and jogged around the corner to his building. Someone was exiting and held the door for him.

“Thank you.” he said passing.

“No problem, it’s nice to catch a brake sometimes.” The old woman laughed and let the door slip from her hand.

He kept going, trying to force himself to think of the story, to write what he knew but be separate enough from it to tell it coherently. Unlocking the door, he nearly tripped over his dog, Marty who was nearly seizing from excitement.

“Marty! Not now. I got work to do, bud.”

Setting his bag on his desk, he pulled out the notes he had begun taking. Reviewing all the acts and asking himself, what small details can I add that provide some relief to the heaviness of the story?

And I write.

A poem.

And I love you
even though
you are gone.

And I sit
in my feelings
and enjoy them
because I am alive.
And then
I feel
the next thing
that comes.

And ancient
cosmonauts
hold up
scepters
in a statue of liberty pose
in the kingdom
of outer space.

And wolves
drip bloody howls
into snow.

And red haired girls
dance
in fields of flowers
with their eyes
closed.

And
I write.

And
I love you
Forever.

Pilot, Hair, Wolf

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

…only beginnings

At mach speed it screams through me, mixing with my chemistries, passing through the shudder down my spine and ripping through my rib cage. I’m left with a glimpse, a still of a needle nosed jet driven by a figure with a helmet and tubes. Intimate is the moment, a photo, a tingling, an ache.

Follicles salute bloody snouts. Extending past split ends, peering at red snow, hearing howling, growling and snarls. Patellas chatter with tibia, fibula and femur. The vertebrae conga twists and sways. Visceral macabre discos, danced by ancient biological giants and jolted still by animatronic technologies. Everlasting, never changing pirouette’s dedicated to the unknown, to fear.

Notes bounce jagged lines over tympanic membranes. Hear and let beat what needs beating. Listen: I can be fulfilled alone. I let things come and go. There are only beginnings…

Cope, Oppose, Manage

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

An ocean of booze is not enough to forget. It’ll still spit you up on shore and you’ll squint at the sun wondering how you got there. But you don’t forget. You never forget. So you jump back in, swim as far as your arms and legs will let you and stop, maybe thinking of something else, but you’ll eventually crawl back up the sand and feel the hot sun.

You wade back into the water, jumping the small waves, diving under the big ones until again, you’ve reached the chop of the ocean. Then you find yourself spitting out sand and protecting your eyes from the sun. You take a skiff out until the engine runs out of gas. You can’t see the shore and so you think this enough. So with no life preserver you jump into the water, moving your arms and legs just enough to keep your mouth free for air. You don’t want to die, just forget. Yet you find yourself stuck in the rocky crags at the mouth of the bay. Hands, feet, sides and head bleeding from the beating your body took to get back to shore.

After climbing back to the sand, you lay down, exhausted. The tide begins lapping at your feet, your legs, your thighs, your hands and you remember. You jump in a plane and fly for hours until the view below is all blue with ocean. You jump and think you’ll never remember again. Your body slaps the water, bruising all over. Later you wake up with coast guard above you and family members crying. And still the waves lap at your feet, you can’t forget. You never forget.

Now you hobble back down to the waters edge, your legs are wobbly, arms feel like lead and that little ball of light inside you is dimming. You fall into the water pushing yourself crawling into the deep of the ocean. Why not just turn around and forget the water completely? Why keep trying to find the deep?

How do you cope with what you can’t forget? How do you manage what you remember? How do you prevent the memories from drowning you if you never stop jumping into the ocean?

Spirit, Reflection, Amber

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

When the lighter’s flame gets pulled into the leafs of tobacco tucked into the cigarette’s tip, a spirit is born. It dances and twirls like the gossamer on wild cactus. It bends and twists like the strokes of a painters brush. It flees off the white capped end of the cigarette like a stream of melting snow down a mountain. Its thin opacity creates a colorful reflection in the morning sun, a shape shifting stained glass window. It’s wispy shards equally as dangerous as broken glass but just as beautiful. It will take breath away.

At dusk, the end glows like ancient amber lodged in a fossilized tree. It’s color dimming and brightening with each inhale or gust of wind. The cherry end glows and fades like the spinning of a lighthouse lantern, the blinking of airport lights or the frantic braking of LA traffic.

The pleasure end stains with each dragging breath. From white to mustard to brown, the filter, a tributary for the waste of those dancing streams.

At its end, the cigarette is left curled up and alone in a mass grave of butts all spent and bent into the fetal position.

Production, Costume, Healthy

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

There was a calm in the crowd. That moment the lights flicker, signifying everyone to take their seats. Moments before there were members of the audience everywhere, in the aisles, restroom lines and mezzanine bar. Now they gingerly took their seats and made themselves comfortable. It was a professional crowd, each one doing their part to create a cohesive beast of attention.

He stood, stage right, peeking out of the curtain, watching them. Some opened the programs, others sipped drinks and in the balcony, a few focused their binoculars. They were nearly ready.

He looked down at his wardrobe; adjusting the lapels of his jacket, straightening the collar, un-ruffling his pants, and straightening the noose around his neck. Tonight’s performance would be his first and last. All 23 years of his life led up to this moment.

In the general public, out there where the world communicated in double-speak, entendre’s, metaphors and straight lies, his act was intolerable. Why would a healthy young man of 23 with nothing but future ahead of him take his own life? Why? Why? Why?

The stage would be his answer. He would deliver a monologue explaining his life, experiences, doubts, fears and perceptions. He would be joined on stage periodically by doctors, lawyers, therapists and his own parents. They would ask him questions and he would respond honestly. Then, after he’d make his exit, the audience would have an answer to the question of why, while staring at his swaying corpse.

The idea was that those viewers who accepted his answer may be closer to their own little productions than they would like to admit. And those who still did not understand were either in denial or what the actor playing the psychologist might say “in a healthy state of mind.”

Taking one more breath, he waited for the lights to dim and the spot to shine on the step stool center stage. No music, no sensationalism, just light and then darkness.

False, Leave, Posture

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Was it false? Her posture said yes when eventually she did leave. Her slow steps, that quick glance at the dogs, the fumbling with the lock she had opened hundreds, even thousands of times. Was she trying to convince herself of something? Something that she didn’t want in her mind but that her heart couldn’t support; not making the effort to pump blood to fingers, feet and eyes to make her way confidently out of the house.

I couldn’t know either but I suspected she wasn’t quite sure either. Decisions of the heart are never made in confidence. We may tell ourselves they are prudent choices but the heart plants a seed of doubt and only time will tell us if that doubt will grow into regret or die buried deep. I imagine that small unborn seed remains there, not growing but never truly dying, keeping its small hardness somewhere in the chest.

I wonder if it gets easier. Growth, nurturing, planting, giving, sharing time and energy. Or do those nutrients get lost with those seeds that never grow? Does the soil around those seeds grow into dust, leaving less and less space in the heart?

Then the weeds come. What did I do wrong? Was it this? Was it that? Was it all the things I was blind to? Was I selfish? Did I lose myself and become someone else? Will I be enough for anyone?

I’m only at the beginning but it already hurts to open up. It hurts to moisten and till the soil for new plantings. The first time, there was no pain in preparing for love but the more it happens, the more pain seeps into the process. The more those seeds of doubt poison what’s left of the soil around them.

What is love? Baby, don’t hurt me.

Retain, Function, Analysis

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

I haven’t the faintest idea how much I have drunk. I can see what’s left in the bottles and count the beers but those are no indicator as to the capacity or volume of liquid. At least not with my vision in the state it’s in. Perhaps an analysis of my personal ability to consume would be helpful if not at the very least interesting.

My ability to function with certain amounts of H20 and alcohol sometimes astonishes me. Bottles and cans shiver, empty next to the trash can, their use outlived, their spirits transferred into my being. I know that I am able to keep their contents long in the memory of my gut. My guts retention is amazing. A true American in all its glutenous, consumptive old glory.

Like those bottles and cans waiting to be tossed, I too shiver at the thought of needing more. A deep valley, is my body, slowly filling with the trickle of some Joshua tree property hose.

Yet, I still bob my head to the music, play with the dogs, wash the dishes, respond to endless streams of asinine emails and rub out those liquid pearls. What is a man to do with is time, his animal instincts and his intellect? To eat, to masturbate, to read, write and paint. That is how time is measured; in tasks, ideas, grunts and the reckonings of shame and regret.

Some of us take up our kitchen knives and create memories for our bellies. Some of us take up our kitchen knives and create outlets for pain. So much pain. What do we do with this pain? I don’t know, refer to how I spend my time.

The optimist believes in something greater, always better, a rising sun. The pessimist believes in nothing, see’s everything, the rising of the sun, its heat, its cancer, its vitamin D and its setting. The pessimist sees what is and optimist sees what could be. No one is only one of those things. It’s impossible to board an airplane and never think of its crashing.

Rugby, Hair, Hammer

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

A real bruiser, this guy. He had a head that looked like it had been pressed by vices, one smashing his chin and nose, another pressing against his ears. His neck was about as thick as his skull. The rest of his body looked like a sculpture in progress. A cube of marble with arms, a chest, stomach, legs and feet with none of the ripples and bumps of a completed piece. He was a block.

He was most comfortable and alive in the middle of a scrum. Locked arm and arm with two other bruisers, pushing against the entirety of his opponents. His team would always say that they swore he was doing all the work and that they were just along for moral support.

He was one of those guys that stayed in shape from 18 to 50 years old, no matter how much he ate, drank or otherwise consumed. Teeth might fall out of his mouth but the rest of him remained an absolute unit, as they would say on the sidelines.

He would have kept going, there was no signs of him slowing down. Except one day his picture appeared in the paper. His face was caved in by a hammer. It appeared that someone wanted to put a little more detail into his bulky features.

And so he was remembered, briefly, by family, friends and team mates but will be all but forgotten when they also pass on. Hopefully by less artistic means.

Eye, Leader, Raccoon

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Through the peep hole, all I could see was that big blue window into her soul. I smiled and knocked again. She opened the door but the chain kept the door open just a crack. Maybe she didn’t recognize me. Maybe I had the wrong house. Then her head peaked through the crack.

I smiled a little wider this time.

“Hi, it’s me.”

She only stared. Not saying anything. I could hear the sounds of a house full of living. Pots, pans, yelling kids, a TV.

“Is this a bad time.”

“What are you doing here?”

Now the words caught in my throat. I folded my hands behind my back and cleared the uncertainty welling up.

“Well, I wanted to be the first to tell you that I got that movie made. It was purchased and now there’s some director looking for actors and…well, I just wanted to tell you. You were always so supportive of that.”

She looked at me. Then closed the door. I heard something scratching and then the door opened all the way. She stepped onto the porch, shutting the door behind her. It took every ounce of social conditioning and domestication that had been thrown my way to not instantly through my arms around her shoulders and pull her head into my chest.

She crossed her arms slowly and then looked up at me.

“You couldn’t have called or texted?”

My cheeks flushed. I knew she could see that.

“I’m sorry, you’re right, this isn’t fair of me.”

“No, look, I think it’s great. That’s what you’ve always wanted. It sounds like you’re on your way to something great.”

I knew she was just extending a guilty hand. I looked around the yard and spotted chains and a lock on the lids of their trash cans.

“So you keep a pretty tight lid on your trash now, huh?”

“What?” She looked where my gaze held then laughed. That sweet laugh. “Oh, yes, well we have some pretty tenacious little bandits that dig around and spread it out every night if we don’t.”

She uncrossed her arms but took a half step backward.

“I’m sorry, again, I should have called, I just thought it would be cool for you to know when the trailers came out and stuff. You’d see them on TV and know who made the movie.”

She looked at me for what seemed like a full moon cycle. It was only a few seconds before she spoke but I could see that familiar glint, somewhere buried back behind her new life.

“Well, it’s just that, it’s hard to see…”

Another pause. I knew what she was going to say, something to the effect of it’s hard to see me but it wouldn’t work, it never worked. Despite what I thought to the contrary.

“Alright, well it sounds like you’re busy in there with the little ones. I just wanted you to know and now you do. It was great to see you.”

“It was great to see you too.”

I turned to go down the steps. She turned to go back inside.

I thought about the most memorable people in history. The presidents, kings, bishops, popes, captains, outlaws, revolutionaries and wondered how their greatness was shaped. I wondered if they didn’t have their own broken hearts and so turned the world into their anvils, beating it into the shapes that suited their desires.

As I got to the gate, she yelled out to me.

“Hey, I’m gonna see your movie the day it comes out.”

I smiled and thought about an empty theater playing my movie with only her big beautiful eyes to watch it.

Beast, River, Turbulent

by Marcus Jonathan Chapman

It’s a gorgeous creature. I can see it from the burbling banks. I’m sitting behind a tree. The low leaves and uncut foliage provide enough cover for me, but not for… whatever I’m looking at.

The silky white skin pops out from the greens and browns of the forest. It approaches the water one step at a time, looking around with every gentle paw print.

Then the thunder clapped. Out of the corner of my eye I caught a flash of lightening. I didn’t flinch, my gaze fixed on the creature. I forgot about my hunger. I forgot I about my thirst. Maybe I just ignored my basic needs. The creature moved so elegantly on the other side of Sacramento. In between us the sound of rushing water. I was able to ignore that too.

I stubbed out my cigarette. The smoke would be a signal. The burning cherry a red eye in the middle of the forest. Looking through the scope, the creature looked around one more time before bending over to lap up the river water.

The creatures pause gave me a chance to look at it through the cross hairs of the scope. An elegant white skin with bright orange dots all over. Something I’ve never seen before.

Long arms that bent like a bulldogs. Legs that rippled with muscle. Hair that ran from it’s head down to where I imagined some sort of sexual organ. I was attracted but not sure what sort of creature I was looking at.

My knees shook from sitting for so long. The rifle dipped and I gripped it with a “Click.” The creature looked up, seemingly straight at me, through the scope and into whatever part of me people call the soul.

I was terrified to breathe. What I had considered a burbling brook a few minutes ago seemed now like a turbulent vortex. It started to rain.

The creature looked up to the sky and roared.

I watched, now with my rifle lowered. Across the banks, I realized it was twice as big as me. It pawed at the dirt, backing up a few paces and began to charge the river bank. Just before touching the water, it leapt.

It seemed to hang in the air for an hour. I stayed in my position with the rifle’s barrel digging into the dirt. I was too enamored with the creature.

Just before it landed in front of me and roared I thought how I would do everything to make sure the creature would exist, forever.

Right in front of me, the creature opened it’s mouth, revealing yellow piles of teeth. Sharp and dripping with saliva.

Before the beast took its bite, I wiped away a bit of saliva so I could watch. It grabbed my throat and shook. I didn’t put up a fight.

If I could nourish such a magnificent creature, then I was doing the lord’s work, as grandpa would say.

Feather, Sing, Cave

by Marcus Jonathan Chapman

“Check it out, dude. I found this fuckin’ sweet ass feather over here in this cave.”

“Why are you talking like that?”

“Like what?”

“Sweet ass feather?”

“It is a sweet ass feather.”

“Yeah, but in meetings your vocabulary is quite different. Your explaining the demographics and opportunities within the European market. Now your saying stuff like ‘fuckin’ sweet as feather.'”

“I’m not at work. Look forget that bullshit, man. That’s just the 9-to-5, you know?”

“Yeah, I know, it’s just weird is all.”

“Anyway, I was venturing out into the wilds of Canada one day and happened upon the opportunity for a spelunking adventure. So I told myself, Martin, you deserve a break from the rat race, treat yourself to exploration.”

“What is happening, now your talking like the beginning of a novel from the 1920’s. You’re all over the place.”

“You’re missing the forest for the trees, my dude–“

“–My dude.”

“Just listen. I took out my cellular phone–“

“–Cellular?”

“I TOOK OUT MY CELLULAR PHONE and turned on the flash light. The first few feet into the cave I noticed a sharp turn to the right, it was hella dark.”

“Okay, you’ve never said hella in your life…”

“It was hecka dark in there, but like I mentioned earlier, I had turned on my flashlight. So I ventured to the right, following the natural slope downwards and twist of the rock.”

“Okay.”

“Nothing special, just rocks, dirt and a few mice bones. Then I heard it, some sound. At first I thought it was wind but as I walked forward, I realized it was singing–oh hold on, I’m getting a call. Hello? Yes, um, well I already have a phone plan but what’s your offer?”

“Dude.”

“Hold on. Well, I have a pretty good plan now and I don’t want to deal with the hassle of switching over, thank you for calling and have a lovely day. Okay man, where was I?”

“You heard singing.”

“Right. It was singing but it was the combination of a chortling bird and an opera singer. Like Andrea Bocelli Gargling mouthwash or Placido Domingo trying to belt out ‘O sole mio while being water boarded. It was bizarre.”

“Yeah.”

“So I kept going down and saw some light at the end. Then I saw them. These giant birds, about as big as a bulldog standing on it’s hind legs, like crows but with the heads of humans. Like those 16th/17th century paintings of strange birds with human heads, just like that.”

“No way.”

“They were hopping around, like birds do when they’re excited in a cage, just doing that chortling/singing thing.”

“What did their heads look like?”

“They all looked exactly like Dolph Lundgren, you know boxers nose, block chin, and blond feathers.”

“Good thing you had your phone out.”

“Yes, it is, because with the light of the flashlight I was able to pick up one of the feathers that had fallen.”

“You didn’t take a picture?”

“Well, I was grabbing the feather, see?”

“It just looks like a feather. That could be from any bird.”

“Well, even so, how many times to come across a fuckin’ sweet ass feather?”