Birth and Illness as a Child

A short piece written in 2009.

by Marcus Jonathan Chapman

Images of incubators, IV drips, tubes and a wrist band. Memories conjured up by repetitive whispering echoes. Stories on repeat for the benefit of the teller. Any deviation from the script might yield a moment of truth. The voices chant visions of a baby with chicken pox, red bumps, itching and bloody. Collective sighs of relief ease out of the peanut gallery. The boy is catching the right diseases at the right time. Praise god, thank you father and continue to bless us. A telling symptom for the diseases of the soul, an unquestioning heart and a reluctance to embrace the shit. While the doctors poke and prod, the peanut gallery; the gloria-inexchelsis-deo-gawkers destroy their knee caps and hold sweaty palms together. Oh what a friend we have in jesus. Indeed, while the doctor stabilizes gods little pin cushion, grabs a cup of coffee and announces to the gawkers as they rise from their diligence, “the babe will be fine.” The doctor takes a bow. The peanut gallery once again takes a knee and as they look up to god, the angels hook the doctor by the neck and pull him off stage. The illusion practically flawless; as solid as a slice of Swiss cheese.

You or me

A short piece, September 16, 2020

by Marcus Jonathan Chapman

It is far riskier to live than to be dead. I will die, so I may as well behave as if I never will. Life is made miserable by the well-intended and mal-intended alike. Both similar in their impositions on life, though one may have the self in mind while the other follows their ego.

In the quest for all our somethings, we choose to be seen by what we do for ourselves or by what we do for others. I want to consider the other but not at the expense of self. I want to consider the self but not at the expense of the other.

Existentialism lacking altruism or altruism lacking existentialism. A panacea for existence does not exist.

And so, remember, I wrote this under a yellow porch light, slapping at mosquitoes, coughing up smoke from wild fires and thinking of me or you, or me.

Delirium Tremens

A short piece about the experience of alcohol consumption from 2014.

by Marcus Jonathan Chapman

Fade up on a moment of clarity. Enter SELF.

SELF
It occurs to me the faith I will
need as one by one my brain cells
are killed in action. How many
neural connections do I require
before I divorce completely from
all logic and reason?

A shadow is cast over self. Enter EGO.

EGO
Will I transform into a carnivorous
vegetable reminiscent of a 1950’s
horror film: eating only everything
that comes close to my drooling
mouth?
(beat)
It’s only fitting that a man with
the caliber of a water pistol be
the recipient of a horrible, slow,
embarrassing death.

SELF
Is it actually dying or more of a
shift in existence?

Stars bounce around the periphery, disappearing before the
eyes rack focus. I, we cough.

SELF (CONT’D)
Sober now, my eyes, ears, nose,
tongue, and nerve endings sharpen
focus. I sense the rawness of
reality manifesting on my lower
legs. A bought of eczema, just
begging a handful of jagged
fingernails to claw, scratch, and
tear it off.
(Down on knees)
Just a minuscule drop of relief. A
small taste please.

I, we wheeze.

EGO
Sobriety, the stoic’s drunkenness.
It all still feels fake.

BACK TO:

INT. BEDROOM – NIGHT
I am visiting the set of my favorite TV show for the first
time. The dissected apartment disillusions me. A RED GLOW
bounces off my face in harmony with the electronic HUM and
CLICK of flashing signs marked ‘applause.’

3 OMITTED
thru
1346

1347 INT. BEDROOM – NIGHT (CONTINUOUS)
I wake up rubbing my temple. GOD, an octogenarian with a full
head of white hair, exits the building. However, its
SCREECHING echoes still crash around my head.

GOD
(Sniveling)
My son did not commit suicide. You
killed him.

I step out into the light. Blinking like an old projector, I
take in the images at increasing frame rates.

24 FRAMES PER SECOND
I lick my lips.

30 FRAMES PER SECOND
The corners of my mouth defy gravity.

60 FRAMES PER SECOND
Through cracked lips, an unfamiliar voice squeezes out a
SUBTITLE:

ID
(Submerged)
I’m out in society.

Familiar voices respond.

SELF
Is this me?

EGO
Or some other beast entirely?

I wipe SMOKE out of my eyes. The angst making a meal of my
LIVER, LUNGS, SPINE, and ever more fragile GREY MATTER.

SELF
The only advice I have been willing
to flood me has been vice.
Acceptance needs to seep in.
Drained dry and clean of my old mentor.

SELF (CONT’D)
It has to.

The echoes of my ego still reverberate in the walls of my
skull. Spiraling down my spine, giving us CHILLS, SPASMS,
and NAUSEA while gripping a toilet bowl.

I, we stick to the script.

ID
I’m okay.

The new mantra begins to sink in like an unused snip of 8MM FILM in a tar pit (slowly).

EGO
I’m okay.

ZOOM IN
One thousand raised pink SLASHES from wrist to armpit.

SELF
I’m okay.

FLASHBACK
BLOOD drips, spelling out a phrase on the floor:
“Blood: I”M OKAY.”

An ellipsis SPLATTERS on the linoleum behind the mantra:
“BLOOD: …”
I inhale.

INT. EMPTY SHELL OF A MAN – QUITTING TIME
The partiers arrive. The bouncer lifts the rope, introducing
4,000 queer chemicals to the pulmonary party. They work the
room and make acquaintances with the rest of the body.

Reluctant to leave at last call, the SMOKE stumbles out
leaving sticky SCUFF-MARKS on the dance floor.
(On judgement day I’ll
still most likely say…)

GOD
I’m okay.

SELF
I’m okay.

CUT TO:

Tonight

August 23, 2020

by Marcus Jonathan Chapman

I bounce my legs to keep the flies, gnats and mosquitoes from biting my feet. My elbows jump out to shoo them away. It’s still 90 degrees out, whatever that means. There is a breeze and the sun is blocked by a neighbors trees three houses west of mine. The wall unit is buzzing. A pool has formed from the steady drip of water, soaking the mat on the back porch. The dogs are splayed on the linoleum inside.

Saul’s visiting his kid. His bed is still in the living room. With only the wall unit to cool the house, we sleep in the living room, me on the couch, Saul drags out his mattress. Tonight he’s sleeping at his kid’s grandparents house.

I got a tattoo on Friday, wearing a mask the whole time. It’s a small piece, a couple of words, “live deliciously.” The implications are of pursuing a Bacchanalian existence. An almost ironic statement given the amount of societal distancing lately and, possibly for the foreseeable future.

I can hear the parrots that roost nearby in the Summer. Not native to Southern California but escaped from a local pet shop and thriving in their own gurgling, trilling, whistling and squawking bacchanal. I envy them tonight, and many nights lately.

I let baby girl out. She’s sitting at my feet, panting. I look down at her when the neighbor’s dogs bark but she doesn’t seem interested.

In a few minutes I’ll head inside to paint but I don’t feel like I can abandon my writing before landing on some deeper meaning, some understanding for the day. Today, perhaps, I must be satisfied with simply writing about the present.

What it’s like to meet a wonderful woman in the midst of divorce.

by Marcus Jonathan Chapman

It’s like washing up on shore after shipwreck and a two-day storm. You need time to figure out what happened, where you are but you still get down on your knees and kiss the sand.

It’s like wandering through the desert for 28 days. You’re thirsty, hungry, lips cracked, skin red and aching but you’re grateful for the water at the oasis. However, you’re still wondering what happened, where you are.

It’s like crawling for hundreds of miles on your elbows and knees and someone, suddenly, helps you to stand. You are grateful and relieved but also feeling tired and looking down at your bloody joints.

It’s like buying a plot of land, planting one thousand seeds, watering, weeding and watching the plants grow, for years, until at the point of harvest, they bear fruit and someone comes at gun point to take it from you. You wander off the property and are suddenly given land that is double the size with fruit ready to be picked. You wonder how, why, where you are and what happened but you’re all at once grateful, excited and ready to move on. At the same time, you’re wondering what happened, always wondering what happened.

It is getting divorced and finding, on the same day, a girl, a woman, who touches your arm and says, “hi.” Six months later, you’re in love but, you’re wondering where you are and what happened. You’re grateful, excited and ready to move on but at the same time you’re wondering what happened, always wondering what happened, so that you’re not doomed to repeat your mistakes with the unicorn who touched your arm and said hello.

Production, Costume, Healthy

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

There was a calm in the crowd. That moment the lights flicker, signifying everyone to take their seats. Moments before there were members of the audience everywhere, in the aisles, restroom lines and mezzanine bar. Now they gingerly took their seats and made themselves comfortable. It was a professional crowd, each one doing their part to create a cohesive beast of attention.

He stood, stage right, peeking out of the curtain, watching them. Some opened the programs, others sipped drinks and in the balcony, a few focused their binoculars. They were nearly ready.

He looked down at his wardrobe; adjusting the lapels of his jacket, straightening the collar, un-ruffling his pants, and straightening the noose around his neck. Tonight’s performance would be his first and last. All 23 years of his life led up to this moment.

In the general public, out there where the world communicated in double-speak, entendre’s, metaphors and straight lies, his act was intolerable. Why would a healthy young man of 23 with nothing but future ahead of him take his own life? Why? Why? Why?

The stage would be his answer. He would deliver a monologue explaining his life, experiences, doubts, fears and perceptions. He would be joined on stage periodically by doctors, lawyers, therapists and his own parents. They would ask him questions and he would respond honestly. Then, after he’d make his exit, the audience would have an answer to the question of why, while staring at his swaying corpse.

The idea was that those viewers who accepted his answer may be closer to their own little productions than they would like to admit. And those who still did not understand were either in denial or what the actor playing the psychologist might say “in a healthy state of mind.”

Taking one more breath, he waited for the lights to dim and the spot to shine on the step stool center stage. No music, no sensationalism, just light and then darkness.

False, Leave, Posture

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Was it false? Her posture said yes when eventually she did leave. Her slow steps, that quick glance at the dogs, the fumbling with the lock she had opened hundreds, even thousands of times. Was she trying to convince herself of something? Something that she didn’t want in her mind but that her heart couldn’t support; not making the effort to pump blood to fingers, feet and eyes to make her way confidently out of the house.

I couldn’t know either but I suspected she wasn’t quite sure either. Decisions of the heart are never made in confidence. We may tell ourselves they are prudent choices but the heart plants a seed of doubt and only time will tell us if that doubt will grow into regret or die buried deep. I imagine that small unborn seed remains there, not growing but never truly dying, keeping its small hardness somewhere in the chest.

I wonder if it gets easier. Growth, nurturing, planting, giving, sharing time and energy. Or do those nutrients get lost with those seeds that never grow? Does the soil around those seeds grow into dust, leaving less and less space in the heart?

Then the weeds come. What did I do wrong? Was it this? Was it that? Was it all the things I was blind to? Was I selfish? Did I lose myself and become someone else? Will I be enough for anyone?

I’m only at the beginning but it already hurts to open up. It hurts to moisten and till the soil for new plantings. The first time, there was no pain in preparing for love but the more it happens, the more pain seeps into the process. The more those seeds of doubt poison what’s left of the soil around them.

What is love? Baby, don’t hurt me.

Retain, Function, Analysis

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

I haven’t the faintest idea how much I have drunk. I can see what’s left in the bottles and count the beers but those are no indicator as to the capacity or volume of liquid. At least not with my vision in the state it’s in. Perhaps an analysis of my personal ability to consume would be helpful if not at the very least interesting.

My ability to function with certain amounts of H20 and alcohol sometimes astonishes me. Bottles and cans shiver, empty next to the trash can, their use outlived, their spirits transferred into my being. I know that I am able to keep their contents long in the memory of my gut. My guts retention is amazing. A true American in all its glutenous, consumptive old glory.

Like those bottles and cans waiting to be tossed, I too shiver at the thought of needing more. A deep valley, is my body, slowly filling with the trickle of some Joshua tree property hose.

Yet, I still bob my head to the music, play with the dogs, wash the dishes, respond to endless streams of asinine emails and rub out those liquid pearls. What is a man to do with is time, his animal instincts and his intellect? To eat, to masturbate, to read, write and paint. That is how time is measured; in tasks, ideas, grunts and the reckonings of shame and regret.

Some of us take up our kitchen knives and create memories for our bellies. Some of us take up our kitchen knives and create outlets for pain. So much pain. What do we do with this pain? I don’t know, refer to how I spend my time.

The optimist believes in something greater, always better, a rising sun. The pessimist believes in nothing, see’s everything, the rising of the sun, its heat, its cancer, its vitamin D and its setting. The pessimist sees what is and optimist sees what could be. No one is only one of those things. It’s impossible to board an airplane and never think of its crashing.

Reasons to drink

Thoughts on growing up middle-class in America.

by Marcus Jonathan Chapman

At 3-4 years old I was asked which animals I wanted to pet in heaven. I was told from which star our savior would come. I was taught how to pray.

At 10-11 years old I got in trouble in my school for reading a book about my favorite dinosaurs, Velociraptors.

At 15 my grandfather attempted suicide. It was never talked about from that day forward, even though I saw him in a sterile facility, hair wispy, with a wrist band and hospital gown. I was asked if I wanted to go to church. I stayed home and watched stand-up instead.

At 33 I separated from my wife.

At 35 I get divorced.

At 34 I meet a real woman, I pee in my backyard, rent out a room to my best friend whom I met in rehab and do my best to limit my smoking and drinking.

And at some point I’ll stop listening.

I grew up in the land of mid-sized sedans, mini-vans and low-end luxury vehicles. The land where rap was tolerated as a phase instead of the gospel of fellow Americans. The land where men wore suits but ordered water when eating out on occasion. Where they preached loving they neighbor but threw their money at stained-glass windows and steeples.

I grew up in the land where causes had the opulence of being accessorized, awarded, badg-ed and medal-ed in. First place goes to the woman with her heart on her sleeve. What’s her prize? A podcast, followers and the right to perceive. Second place is forgotten.

I grew up where cultures were worn on the runway; tagged, liked and put to bed with the 24-hour news cycle. Where smiling with brace-corrected teeth was more important than listening. Where dents on garages were ignored for blue-tooth mirages. Where the placation of expressed problems were as cute as a stay-cation meme.

Meme, meme, me, me, me ,me: a virus of non-essential, feel-good, self-righteous, resting above comfortable but just below content ideas spread through imitation. Where love is shared with those who succeed and for those who don’t, martyrs are made. Where thought, like above, are unclear, influenced by what’s trending, not by what’s right.

I grew up where grandfather’s worked hard, father’s built empires and grandson’s teetered on their shoulders reaching for wisps of clouds. My hands are too soft, my mind too dull and my heart too brittle.

Where quarantine is spent at home with no reduction in grocery bills and no one wonders if today is the day. where there’s the luxury of debate, unpopular opinions and fundraising for traveling missionaries.

I grew up in the land where 14-year-olds built houses in foreign countries. Where 15-year-olds drove Mercedes-Benz and 16-year-olds started thinking about their parent’s colleges.

I grew up where authority is referred to on bend-ed knee but you don’t know what authority is. Authority is a running tally of wrist scars. Authority is counting days sober. Authority is orgasm at will. Authority is false teeth, cauliflower ears, and a crooked nose. Authority drags around an oxygen tank with wheezing breaths. Authority isn’t found on any screen, it rolls in a wheel-chair and dictates its will to on one.

I grew up where drugs, alcohol, pornography and other vice are worshiped for six days and absolved on the seventh. Where respect goes to the shiniest cars and the tannest chins. Where those who care the least are crowned the Kings and Queens of cool. A land of illusion where death is a shock at any age and life comes with medical, dental, optical and, a life insurance policy. Where people wait for bread with crossed arms and a tapping foot. Where necessity means a lack of excess and ignorance is an offer color joke chuckled at in church parking lots.

I grew up in the land of recycled boxes. Where one hundred rolls of toilet paper will never sell when on the self next to one-thousand roll packs for just a dollar ninety-nine more. Where emotions are changed by the click of a remote or swipe of a playlist.

No one taught me how to drink but Bukowski. No one taught me love but Shakespeare. No one taught me life’s lack of meaning but Seinfeld. No one taught me how to become a garbage pail for any drug passed my way but my lack of satisfaction. but I have a foot print on my ass the size of the middle class. Its kicked into my dockers in the direction of complacency, American democracy and mediocrity.

Patience, Large, Presidency

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

I’ve been giving brow furrowing thought to uprooting my life and changing it radically. Thoughts that slow my steps when I walk, strip away all that’s around me and humble me in the chest. What are the things I have? So fortunate am I to have them, when compared to the other. Yet, perhaps, they are not what I should have.

For this thought to manifest in any sort of tangible way requires patience. A sort of patience that I have not practiced in my 34 years of consciousness, of which the prospect of practicing looms large over head. A weight that pushes down on my and wrinkles my forehead. What are the things I want, if they are not the things I have? Is it as simple as wanting the things I have? Or is it a question of adventure, a simple matter of trying, failing, trying, failing, trying, failing, and defining success out of those efforts. That is the currency of patience.

The presidency is touted as one of the hardest jobs on the planet. but why is this question only whispered in underground places, is it even a job that should exist? Should there be a thing so unreasonable, so unsatisfying for all of us that it exists? Why can we not question the existence of something we once created?

And so I find myself, questioning my existence. What have I created? It’s not a question of regret or satisfaction, it’s a question that follows; having done this, am I still satisfied continuing to do the same? What do I want next? What is my next challenge?

That I write is not in question. However, what I write about always changes. And so likewise, I will be until I am dead, but I need not be doing the same things.

Such a radical change in existence is daunting. To move from the home I’ve created. To move from the job in which I found a voice. To move from a room where there is light and identifiable shapes into a room that is dark and filled mostly with shadows.

It’s not a question of purpose. To treat purpose like some treasure to be found with or without a map is to take away ones own intrinsic value. I believe, for me, it is a matter of finding what is next. What will be. What may be, if I simply try.

It comes down to a simple act, however, a simple act becomes difficult when the opposite of actions have become habit. To not do becomes more comfortable than to do. To be a passive observer of ones life. To consume. To applaud the achievements of others while allowing that recurring monologue in my mind to run like a ticker tape around my mind, reminding me that there is more in me than I have allowed myself to express.

I must also recognize the place I am in. To be kind to myself. To understand that I am not a machine, not a creation built by man but made from natural acts and self-created. To think otherwise is to undermine existence itself. The pressure I may feel to determine a future, my future, is wholly my own.

I have placed that looming prospect of patience and radical change over my head. And so I must recognize that that is okay. That I am not at the summit but at the base of a journey I am willing myself to take. A journey all at once formidable and exhilarating.

I am at the beginning of an end. Or perhaps it is the very beginning of a new beginning. Whatever this phase, this time, this place. I am open to the idea and an idea is the most natural creation of man.

Tree, Fork, Boat

by Marcus Jonathan Chapman

The tree was dripping with honey. She looked down at her shoulder and dabbed at the drip of bee juice spreading over her freckles. The taste was too irresistible to worry about the bees. She hiked up her skirt above her knees and gripped a knot in the old oak. Pulling herself up closer to the humming of the drones orbiting the nearest honeycomb. From her purse she pulled out a fork. She pressed the tines down into the comb just the way father had taught her to press into a boiled potato before mashing it.

She watched the viscous gold ooze out of each pore and drip onto the ground, down the tines of the fork and onto her hand. The sensation of the collapsing comb beneath her hands force was satisfying. Like popping packing bubbles or pressing a gigantic pimple before it popped.

The honey kept coming and the bees kept buzzing, louder, angrier. The nectar began dripping from more and more areas of the comb as the fork went deeper, and her hand nearly swallowed by the beeswax warehouse. Honey oozed onto her arm, dripped into her hair, stuck to her white dress and splattered onto her bare legs.

The fork hit something hard, the bark of the tree. Already straining to lift her arm to reach, she pushed up from the know in the oak to lift up the honey comb and bring down to earth. Straining, she lifted up her arm just enough to loosen the rare treat. With that move, she lost her grip and fell down to the ground, the honeycomb smashing next to her.

Getting to her knees, she bent over the honey, beginning to mix in the sand, making sweet mud. She licked the fork, her hands, her arms. She squeezed the honey into her hair and tussled it all into a wild nest of red tufts.

She ate her fill of honey, leaving it all over her face. In the sun, she could feel the stickiness pulling at her cheeks when she smiled. Looking down, she saw her dress was above her waist, leaving her black panties exposed. Feeling satisfied from the honeycomb that came from above, she began to work her fingers to feel that satisfaction that came from within.

As the sound of the birds singing and bees humming crescendo-ed so did that sweet feeling inside. At the moment of clim–

–“Hey, babe! babe! I got the boat. The guy gave me a pretty sweet deal too! It just needs a new motor and some paint but we can still go out and float a little bit tonight, have that adventure you were talking about.”

She stopped, sat up and walked past her husband. He wouldn’t know adventure if it stuck to his hair, face, arms and legs.