bones, broken or not

A short piece.

by Marcus Jonathan Chapman

I am bones when I see a friend
I am bones when I eat
I am bones when one of us survives
I am bones when I lose a friend
I am bones when I am hungry
I am bones when one of us goes missing

I am bones because
thoughts about feelings are lanterns in dark, empty rooms
I only imagine what might be there
no light shines around the heart
and
feelings expressed as words are chattering teeth
I only hear an echo of
wet cracking and heavy flapping
the feelings lost in translation

I am happy when I see a friend
I am happy when I eat
I am happy when one of us survives
but that is not adequate

I could regurgitate a thesaurus, vomiting up excited, elated, pleased
but those are just words for happy
If you missed the expression of happiness
no words will make up for it
I will not make up for it
If I do not know if I am happy
then I am not paying attention

I am sad when I lose a friend
I am sad when I am hungry
I am sad when one of us goes missing
but these are not adequate

I would be sick all over the page with sorrow, mournful, somber
only shattered teeth from the mouth of sad
If I missed the expression of sadness
in any of its degrees
I will not make up for it with words
If I do not know if I am sad
then I am not paying attention

But feelings are blood, moving in and out
always there, always flowing
I am more than that
bones remain after death
so I will know

I am bones when I see a friend
I am bones when I eat
I am bones when one of us survives
I am bones when I lose a friend
I am bones when I am hungry
I am bones when one of us goes missing

broken happiness is sadness
broken sadness is insanity
broken bones are bones
I will say I am bones
broken or not

I was a lover

A short piece from 2013.

by Marcus Jonathan Chapman

I was a lover before this war and don’t tell me that mental pictures created by TV on the Radio don’t have the power to change chemistries. I am weary, sick and scarred from too many battles in the war of who could care less. When Uncle Ben Folds Five times and still doesn’t learn that the house of the Rising Sun never loses. We know then for whom the bell tolls. A sickening ring that continues its echo, repeating its cold brass answer.

It tolls for thee, for me, for she, and for he. And I refuse to continue wincing at questions of christianity (lowercase, improper noun) or other. It’s not as simple as loving my brother. So I shrug my shoulders at religion, at theology, and democracy, my politics apply only to me. I shrug at the dividing notions of this versus that because I wish to see through he and through she before I get to me.

I walk barefoot on the sand to feel the process of my steps. In the sun or in front of the stars. I open my eyes to fill my mind with everything the light reflects. My ears are open to fill something inside that can’t be described. To write is the most frustrating thing because there are emotions and experiences that will never exist in words. The contrast between black shapes on white space.

I was a lover before this war and I already know the ending. The question of my last breath is either sober or whiskey soaked. The continuous monologue in my mind reaches the end of its reel. I am not making sense but its my senses that make me. I don’t wish to Confucius you but the way of the tao (lowercase, improper noun) is better paved than that of christianity (lowercase, improper noun). If christ (lowercase, improper noun) was the way then that way was tao (you know).

Pilot, Hair, Wolf

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

…only beginnings

At mach speed it screams through me, mixing with my chemistries, passing through the shudder down my spine and ripping through my rib cage. I’m left with a glimpse, a still of a needle nosed jet driven by a figure with a helmet and tubes. Intimate is the moment, a photo, a tingling, an ache.

Follicles salute bloody snouts. Extending past split ends, peering at red snow, hearing howling, growling and snarls. Patellas chatter with tibia, fibula and femur. The vertebrae conga twists and sways. Visceral macabre discos, danced by ancient biological giants and jolted still by animatronic technologies. Everlasting, never changing pirouette’s dedicated to the unknown, to fear.

Notes bounce jagged lines over tympanic membranes. Hear and let beat what needs beating. Listen: I can be fulfilled alone. I let things come and go. There are only beginnings…