I know a great writer

A short poem.

by Marcus Jonathan Chapman

I know a great writer
but you don’t
her greatness is planted
in not knowing, not
thinking she is great
and I know she is
a great writer
but she doesn’t and
she writes anyway
and I write but
I try not to think of
my standing
my standing over
or standing under the
writing of other writers
and I stand up
and I think of the words
and the words I don’t know
but that great writer writes
knowing nothing of her greatness
and I write but
I stand and go outside
taking off my shirt to let the sun
soak in
and I think of her greatness
and not my own
and she doesn’t
think of me

© 2020 writesmarcus.com All Rights Reserved.

Telling Dad I drink too much

A short experience written in 2008.

by Marcus Jonathan Chapman

Hey dad, I think I drink too much. I’ve had alcohol at parties but I’m starting to find that I’m drinking or having more drinks outside of parties than I do when I am at them. I drink to do homework or stay in my room and drink. I’ve even gone to a few classes after drinking. I’m not sure what to do and I know sometimes for some things, they get worse before they get better and I wanted to nip this in the bud just in case this was one of those things. Well, thanks for listening.


“Hello. Yes my father sent me over here to talk about, well I think I’m drinking too much. I drink all the time. Do I think I’m an alcoholic? Well I don’t know. I’m not always red faced and waddling around. I mean I keep a little stubble on my face and my hair isn’t really styled but I don’t drink out of a paper bag and live under a bridge, I’m in college and I’m doing well, academically.”


“Whiskey mostly. I drink beer too, 40 ounces at a time when I do but most of the time whiskey because it gets me to the feeling quicker and to be honest I don’t feel as heavy when I drink it. Yeah, that’s true all of the people I know drink, it seems normal at my age. You’re probably right. College is a unique experience. I’m sure it’s just a phase too, you’re right. Thank you, I feel better. Oh well, and you seem to be doing alright. So I think I’ll be fine. Thank you for your time, how much will that be? Okay, do you take cheques? Perfect. Thanks again. Oh and thank you for the copy of Alcoholics Anonymous.”

A lunch from a long time ago

A short piece written in 2011 or 2012

by Marcus Jonathan Chapman

My aunt pregnant for the first time loses her baby. I am sad but I am too young to understand the impact a tragedy of that magnitude has on the person closest to it.
My aunt is a strong woman, full of love, confidence and wit. Perhaps a judgmental, albeit human, eye with a warm hug regardless of how she see’s you.
I make a habit of pushing myself into the spotlight of my mind but cuing the music to cut myself off early on the stage of life. My thoughts consume my relation to everything and everyone. I have learned that I need not waste time on people now if I will see them in heaven. What am I saying, there is no heaven. Childhood teachings are really sticky.
My narcissism is making me sick but I can’t stop thinking about me. The earth revolves around the sun, not the son of Christofer and Ester Chapman.

A lunch with my Aunt in which I cannot clearly remember if I was intoxicated or not. I remember itching for a cigarette as soon as I wolfed down the turkey salad on rye. I remember shaking my head and repeating “I’m fine, no, I’m fine. I’m okay. I’m okay.” The first lie we tell ourselves to convince the mirror that it will never shatter. My aunt relayed an observation about my 5-year-old self that has lingered and wriggled around in the back of my mind like a severed lizards tail.

Something changed when I was 5 years old. I can’t remember my childhood. It is as fuzzy as a booze fueled night on the town (or in my apartment). What happened to me? My heart races. Perhaps, this will be the tragic excuse of molestation. A victim of pedophilia turned poet. A writer who has been in the gutter and can paint it in a perfect-bound, hard cover copy of his first novel. How can I use this for immortality? I want to live forever. That narcissism can’t pull its gaze from the reflection.

My aunt lost a baby, maybe even two and I’m left wondering if I’ve ever been touched inappropriately or left in a toxic environment. Where do I get off feeling sorry for myself? Nothing has ever happened to me that I cannot handle. And there it is again that me word. Its all about me. Not you or him or her or them or it. Its all about me and yet I put myself in the lowest category of the last file in the dustiest, rustiest cabinet of life and all humanity but I insist to myself that everything is about me. Every hug, kiss, smile, squeeze, laugh, smirk, giggle, round of applause, slap on the back, is all about me. I am narcissistic and I don’t even think very highly of myself. Am I truly this selfish or do I indulge for the namesake of these pages? Both are scary prospects for an obsession that runs circles around my attention to anything else.

I have an excuse but you are simply stupid. I made a mistake but you have ruined my life. I forgot but you are careless. I am sick but you are lazy. I was wronged but you don’t stand up for yourself. I had a bad day but you have a bad attitude. I may gossip but you should get a life. I am frustrated but you simply don’t know what to do. I am not perfect but you think you’re better than me. I have an excuse but you are just stupid.

What is really going on here? The words follow the emotion, which rushes in after an experience. I feel less like a swan and more like a parrot. Obsessed with my own image and copying the noises closest to me. To be clawing through the same self absorbed drivel, session after writing session is enough to make me want to rip out my own heart and feed it to my brain just to get a taste of pure emotion. I am supposed to write for myself not about myself. This constant cycle of narcissistic thought is welling up in my chest I want to scratch out every letter “I”, “m”, “e” and hyper drive into some god like perspective. An uninvolved point of view. Place myself on the objective alter and slit my throat letting the Deus ex Machina of my psyche take over. To sever and shatter the ego from the self. Who am I supposed to be? Don’t follow me. We’re getting back into those dark slimy corners of the mind again. So deep down that I must slowly return like a deep sea diver coming up for air. Too fast and the chaos never leaves. Attempting never to dwell in the past I move ever forward so fast that the hair is being ripped off the front of my head and sticking to my back. Time whips past me and the closest I’ve ever come to the truth is a question. Does anyone get this right?

My first song after choosing to be sober

A short story, 2019, draft.

by Marcus Jonathan Chapman

I shimmy through a sea of arms and shoulders. Eyes watering from clouds of cologne. My angel grabs tight to my fingers, pulling us through. I am in the pub. Tonight will show me what life is like with everything in sharp focus.


Our party is already seated. The walk to our table seems straight forward. First, we need to pass the thirsty bar-stoolers, fingers tapping lazily on the bar for their next hit. The smell of wet oats and alcohol hits me. I shake my head to stay focused.


Next obstacle; stairs. Hang on to the railing and hope the next step rises to the occasion. I hope my knees can take it. Good, the ground is exactly where it should be. My angel lifts her hand and moves it side to side, gaining the attention of the beings we are meeting. She stops in front of an empty chair.


Quick! While I’m distracted, step onto the floor! I land with both feet on the same plane. So far everything is as I perceive it to be.


The table is covered in cloth and surrounded by chairs. The other patrons seem to be seated comfortably. I keep myself steady with one hand on my angel’s back, under the guise of
rubbing her wings. On closer inspection of the table, I see a plate aligned with a chair along with a rolled-up cloth. I reach out and grab it. Something inside, silverware, or so my instincts (what’s left of them) tell me.


I press a corner of the napkin between two fingers and let the other digits loose. CLANK! As I suspect, a fork, butter knife and a spoon collapse and lay still. I look around the table. The other patrons, I presume my fellow dinner mates, begin rolling their napkins on their laps. I grab the fork before pulling out the chair my ass will be occupying for the evening.


I notice the lighting. No sun. Only lamps. Again, as it should be or at least as I’ve perceived it before. Strings of bulbs on wires hang from bare wood jutting out of a concrete ceiling. The wood, slats of brown, knotted, un-sanded 2×4’s or 4×8’s or 8×16’s or 16×32’s or whatever. For a split second my arm stretches to the ceiling, my hand drops the fork and rubs against the beam. Splinters press into the skin of my fingers, bulging under the fingernails and squeezing into the palms. The chair squeaks and the splinters pull out of the hand as the arm collapses back into its socket. I take my seat.


I look around at the others seated at the table. I don’t know yet if they’re people. I haven’t even figured out if I am to be human for the evening. I search their faces for a clue, a cue to mirror their behavior, but careful not to mock.


The smell of the room seemed to be a mixture of cooking, alcohol, cigarettes, perfumes and lotions. Smells I was familiar with, the smells of death. I began to feel as if I belonged. My neck loosened and I looked around the room. Steaming dishes balanced on the extended fingers and outstretched arms of the runners. The runners wear small square hats with a wire running down to the corners of their mouths keeping them in a smile. A small trough extends from their belts and collects the drool sliding down their chins. The runners shuffle quickly from table to table nodding, taking, placing and scribbling in notebooks with final stage Parkinson ferocity.


A runner waddles up to our table, she wipes saliva from her notebook and asks, “How are we all doing this evening.” The collective response transports me to a farmyard with a herd of lowing cattle, indecipherable mumbling and grunting. We remain rather porcine, no matter the sophistication and setting of the trough. I cluck, feeling a string pull one side of my mouth upwards, or at least away from my chin.


The runner seems either satisfied or uninterested in our bovine reaction and continues, “What are we having to drink tonight? What are we having to drink tonight?” the voice lowers six octaves, “What are we having to drink tonight?” The voice now lisps. “What are we having to drink tonight?” The voice slips behind my eyes and massages some dusty grey matter. Perhaps I have been here before, perhaps this is something I know, but the voices are different. The faces different. It is the experience that is familiar. “I’ll have a water.” The feeling of familiarity stops. The runner scribbles furiously as the heads around the table call out their orders.


I watch, admiring the confidence related to their vices.


The runner shuffles off, leaving a string of drool on one of the face painted long haired beings. They call it she and they call me he. She doesn’t notice and her unassisted smile is my hint to stay quiet. Across from me the angel glows. Next to me the being is morphing. He morphs. A loose shape whose ghost I catch glimpses of with each flicker of his movements. It is, I suspect, the man’s shell. The ghost living just outside of the man’s conscience. It lags just long enough for me to catch the eye of his self. He turns to me and smiles. My subconscious smiles back and we release the grip on our Freudian handshake.


The runner returns, alcohol hoisted proudly on a silver platter, like the head of John the Baptist. The runner shuffles around the table, she sets down my water and I notice a muscle on her cheek struggling under the pull of the wire. The runner catches my eye and winks. “Are we ready to order?”
The table produces an audible lowing but the being next to me manages to force out their words, “Yes.” I point and nod at the menu. The runner’s wrist scribbles furiously, as if possessed by each order. The runner smiles and continues around the table.


Three men walk into the room carrying instruments. One a drummer, one a bass guitarist and one a pianist. The lull of voices, clink of glasses, steps of runners, coughing, laughing, and chewing continue around the room. The three men walk past me. I turn my head and pull my upper body around to look, bracing myself with one hand on the chair.


The pianist carefully pulls out a seat tucked under the piano. He sits and peels back the upper lip of the piano, revealing yellow and black teeth. The pianist scratches his beard, losing his fingers in the red and grey mat. White flakes drift onto his lap. Having escaped his beard, his fingers now press together, crushing each other with audible “pops” and “cracks”. Then the pianist flicks the pianos teeth.


The chatter in the room continues; the runners take orders and carry edibles on platters. The sounds of laughter, eating and drinking fill the room. The guitarist sits on a chair designed to furnish potluck halls and meeting rooms of whatever Anonymous. He flips the latch of his case and unsheathes a white bass guitar. A glint makes my eyes jump to a spot on its edge.


It leads my eye down aluminum strings to a spot where the bassist places his hand. He begins thumping the fat belly of the guitar.


I look up to see the bassist’s face and catch the end of his glance. Either his eyes are rolled back in his head or he is blind. He looks down at a little black box with the whites of his eyes and inserts a card. A deep hum and vibrating buzz creep into my ears and for a moment, meld with my own neural connections. As the guitarist begins to strum faster, I look over at the drummer.


I hear the taps of the snare lock as he pulls a hand free from under the drum. His left foot presses the peddle into the flesh of the biggest drum. He picks up sticks with his right hand and runs his thumb along the edge of a cymbal. His hand jerks back and he sucks it, closing his eyes. I crane my neck to see what happened. He pulls his thumb away from his mouth and puts a drumstick in each hand. He starts tapping on the overstretched skins below him. Red trickles down the neck of the rightmost drumstick.
The mouths around the room continue expelling their contents. The runners move from table to table, smiling and drooling. Glasses and silverware clink, clank and chip dishes. I turn my back to the musicians. My angel smiles and begins eating. I look down and notice my own food below me. I reach for a utensil but stop short. The dissonant, sometimes melodic growling of the bass guitar jerks my head back towards the three men and their instruments.


The growl is met with the screams and howls of the piano. But it is the steady panting and pawing of the drums that paralyzes me. It rips away my attention and leaves me with just enough breath to continue using my eyes. I no longer feel my body against the chair. Am I beginning to float?


A hot brand sizzles in my back, twists me around and sends my eyes spinning in all directions, looking for the person who said my name. I stifle rage. I know how unsightly raw emotion can be to those without drink. I pull the square box from my pocket. I place it on my head and extend the two wires that end with small hooks, sharp hooks. I stretch the corners of my mouth up to each hook and hang them there. The pain cranks open a valve and the rage steams out. With what I know to be a smile on my face, I reply, “Yes, what was that?”


“What do you do?” I tap the box on my head, the wires pull my lips up and dig their hooks in deeper. “I work in a place doing things.”


“Oh, really, that’s neat. Do you like it?”


“Yes, very much. What do you do?” I tap the box on my head, my right eye is beginning to water. While they reply, I dab the tear away with the back of my finger.


“I work in a place doing things. I like it.” I nod and look around at the others catching lines from the script. “He said something, she didn’t like it, they got mad and now I’ll tell you my opinion.”


“Well, I was born, then I learned, now I spend time doing something.”


“I had my eyes open and saw a picture of a man telling me to buy food here, so I told other people what the man told me and now we’re here.”


The beast with three bodies paws and snorts behind me, drowning out the sets of clacking teeth in front of me. I catch the face of my angel smiling. Out of habit I glance at the top of her head already knowing that she does not need a box to pull her mouth away from her chin. Her smile indicates that all is normal.


The beast screeches behind me. I turn. The bass guitar roars and stamps at the ground, pounding its blunt hooves in through the sides of my head. Each flick of the finger against the steel strings threatens to rip open my rib cage. The drums boom and thud against my chest. Each attacking wave threatens to steal the beating of my heart and replace it with its own. Or still my heart forever.


Through the roaring and the pounding, the pianist keeps my hair at attention. His vibrations travel under my skin, leaving bumps up and down the lengths of my arms and legs.


The corners of the pianist’s mouth begin pulling up, wrinkling his eyes and changing the shape of his beard. My eyes catch a drop of red splashing next to the pianist’s foot.


The pianist’s hands contort, twist and convulse. Some element is being exorcised from those hands. They bounce off of the piano’s teeth. Another drop of red splashes onto the floor, this time adding to the percussive flurry banging my ear drums. A third drop falls and before the slow-motion crown of liquid impact can rest, a fourth red drop breaks it.


In a distant, foggy memory I can hear clinking glass, silverware scraping on ceramic, idle chatter and clacking teeth. The beast in front of me abducts my senses and possesses my body. I convulse back and forth in time with its movements.


I close my eyes, but darkness does not greet me. My mind splayed and folded, projects out onto the skin of my closed eyes. The stuff of dreams, ideas and memories pool together, and the beast pushes me into the deep end. I rock back and forth in furious rhythm while my head sways side to side.


The box on my head tilts backwards and pulls my cheeks up to my ears leaving my mouth wide. Deep red lines curve up the sides of my cheeks. Red drips from the corners of my mouth. I watch it pool around my feet and soak into my lap.


The pianist seems to enjoy his plight. Blood from his hands ooze from the piano’s teeth and waterfalls down to the floor. As the musicians grow uglier and closer to death, the music they play grows sweeter. More mesmerizing. The musicians cling to their instruments, or try as much as possible to hang on while their bodies deteriorate.


Blood makes its way from where the musicians play to the steps I earlier descended. No one else seems to notice. The runners splash through the rising stream. Blood soaks up their pant legs and the occasional chunk of gore sticks to their uniforms.


A patron at the bar slumps off his stool and falls face first into the now raging river. Blood drips from his hands and off of his eyelids. He slaps one bloody hand on the bar stool and the other grips the edge of the bar. He sits up and reaches for his drink. As he drinks, blood from his hand falls down the glass and collects around his lips. In the corners, the blood mixes with the alcohol in his mouth. He doesn’t seem to notice.


Staring at the intoxicated barfly, I notice a ringing in my ears, the same ringing that occurs when one speaks out loud and hears the echoes of his own words in his mind but nothing banging on his eardrums.


The blood now up to my neck I stand up and turn to see the musicians slumped over their instruments, nearly submerged. The diners around me continue their droning, utensils and glasses now pinging like radar from a submarine. A few of the listeners attempt to clap but the amount of blood in the room only allows for splashy, muffled thuds that sent red flecks on their faces.


Cool and calm the entire evening, my eyes begin darting around the room. Every one of my senses are plugged into the buzzing amp of the bass guitar. I wade through the blood toward the barfly; I know the way out is just beyond him. Pulling myself in his direction, I catch a glimpse of the light from fluorescent streetlamps peeking through the windows. My foot slams against something hard. I lose my balance and am instantly submerged in the blood.


My arms flail frantically, my hands create whirlpools of blood as they grab at nothing. A hand touches my back, and another grabs my hand. Panic leaves and my feet touch solid ground. I emerge, wiping blood from my face and turning to look at my rescuer. It is my angel who parts the red sea and seems untouched by the clotting blood. Her hand still grips mine; we move to the door; the blood seems to have drained.


We pass the barfly, now covered in a brownish cracking paste, still guzzling his beer. Cold air blasts me and I turn to see my angel pushing the door open. I blink and my senses return. I can hear myself breathing. I haven’t touched a drop of alcohol, instead I swam in the bloodbath.

Kids

A short story, 2018.

By Marcus Jonathan Chapman

I stepped out of the Vault.  I could only stomach so many drinks on open mic night.  I lit a cigarette and closed my eyes for the first inhale.  The pure puff.  I didn’t need a reason to drink but the first cigarette after wetting my throat was as good as any.  I could feel the smoke coating all the way down to my esophagus.  I held for a second then let the smoke waft out of my mouth.

I had gone out by myself.  The feeling was exhilarating because I knew how others looked at the lonely guy at the bar.  Going to parties or out with friends was predictable.  Sure, I would laugh and make others laugh but there were so many other emotions.  I flicked my cigarette and headed for the underground bar located two blocks away.  I had only been there twice before.  The crowd out front usually consisted of sun burnt felons with purchase stickers on their flipped-up baseball caps.  The thought and the alcohol made my blood angry.  I lit another cigarette to relieve the unwanted stress.  Rounding a corner, I looked across the street at the entrance.  A kid about 7 years old stood out front squatting down, tilting back and forth.  After crossing the street, I saw it was a little girl.  I was curious.

     “What are you doing out here?”

She didn’t look up but responded cheerily.

     “Waiting for my mommy.”

It was nearly midnight.

     “Where is she?”

I became conscious of my cigarette.

     “She’s downstairs.”

     “In the bar?”

I flicked my cigarette away from her.

     “Yeah.”

I thought about being noble and telling her mom off but decided that getting rid of my cancer stick was enough.

     “Okay, well be careful up here.”

     “Okay.”

     “And don’t talk to strangers.”

     “Okay.”

It wouldn’t ruin my evening because nothing beats the excitement of entering a bar.  It feels like waiting for the ball to drop at the roulette table.  Except the odds are always in my favor.  I walked up to the bar and placed my bet.

     “A jack and coke, please and a pint of whatever.”

I pushed the chair next to me a few inches further away.  I always got too restless at the counter.  The barkeep came back with my drinks and grabbed the money I put on the table.  I was a winner.  What I did with my winnings was unpredictable.  Often, I never knew how an evening would end.  I finished off the jack and coke in three gulps.  There was more beer, so it took a few more swigs.  It was time for a cigarette.  The trip upstairs was a little more cautious than the jog down.  I had plenty of time to pad my fresh pack, rip the plastic, tear the paper and flip a fag up with my thumb.  I pulled the cigarette out with my lips and stepped outside.  A couple were doubled over laughing and trying to say…something.  I smiled and raised my eyebrows as I fished for my lighter. 

The boyfriend made his way to me.

     “Dude, dude, dude.”

     “What’s up?”  I chuckled to be polite, but his laughter was contagious.

     “We just saw this homeless man.”

This sent them both into a guffaw.  I sent out an amused snort, realizing I was trapped, at least until he got to the punchline.  The girlfriend composed herself.

     “We saw this homeless guy walk by and his pants were sagging all the way down PAST his ass.”

The boyfriend picked it up from there.

     “And he was pushing his cart in front of him and shuffling like Frankenstein.”

The two lost it again and I thought about correcting the boyfriend.  Doctor Frankenstein was the creator of the creature.  The creature had no name.  A device probably used to further the creatures struggle with its identity.  I realized I was boring myself and didn’t think the couple would give a shit about what I had gleaned from my literary criticism class.

     The couple’s laughter died down and we talked.

     “I’m Charlie, Cigarette?”  I offered.

I don’t remember their names, but we talked.  Where you from?  What do you do?  How long have you lived there?  They were nearing the fork in the conversation where strangers either become friends or never see each other again.  Then the boyfriend said something that really impressed me.

     “Well now that the bullshit is out of the way, how about some weed?”

I thought about it for a few cigarette drags.

     “I appreciate the offer, but I had an experience with a demon in a bathroom the last time I mixed.”

     “Oh shit, you trip out?”

     “You could say that.”

     “I’m sorry bro.”

     “No worries, now I mainly stick to spirits.”

     “Then let’s get a drink!”

We hoofed downstairs and livened up the near empty underground bar.  We ordered drinks.  The couple would talk.  I would talk then we would all laugh.  Nothing would be remembered in the morning.  We all spoke freely. The girl sat down while the boyfriend and I laughed and patted each other on the back.

The boyfriend was getting horny.

     “Babe, you tired?  You want to leave?”

     “No let’s just get out of here.”

     “She’s right.”  I said, “This place is dead.  Let’s go to the Vault.  It’s a bar just a couple blocks away.  I want a cigarette anyway.”

We started our final trek up the stairs and the boyfriend shouted out.

     “Fuck this place!”

I laughed and high-fived him while his girlfriend looked mortified. 

I was drunk.  I handed out cigarettes and cut across the street toward the Vault.  By this time all the amateurs would be gone.  It was time to do some drinking.  The boyfriend ordered us three beers.  I was extremely grateful, but I ordered another jack and coke.  I didn’t like to take chances. 

We bullshit some more.  The couple danced.  I can never remember names.  Then the girl danced alone.  I was towing the line between drunk and insanity.  I sat quietly responding on auto-pilot.  The girl stopped dancing and the boy went to the bathroom.  She sat across from me and stared into my eyes.  She bit her lip.  Leaning on one arm she slid her finger up and down her bra strap. 

I watched the tip of her finger from the top of her shoulder to the top of her breast.  Her leg touched mine and mimicked the motion of her finger.  I looked toward the bathroom.  I stood up somber and put a cigarette in my mouth.

     “Cigarette?”  I offered.

She didn’t take the bait and continued lusting.  I looked toward the bathroom.

     “I think I’m going to take off.  Where did your boyfriend go?  What was his name?”

     “Why don’t you stick around.  He’ll be in there for a while.  He’s sick.”

     “Oh, well I’ll give him a cigarette when he comes out and call it a night.”

I was intently staring at the bathroom and looked up.  I wanted to get the fuck out of there.

     “Here, why don’t you give him the cigarette.  I’m in and out of consciousness.”

I handed her the cigarette.  She continued to stare. I could feel her horny, cheating eyes following me out the door. I stepped out of the Vault and lit a cigarette.  I closed my eyes, feeling the smoke coat my throat, esophagus and lungs.  I exhaled.  Alone again.

What it’s like to meet a wonderful woman in the midst of divorce.

by Marcus Jonathan Chapman

It’s like washing up on shore after shipwreck and a two-day storm. You need time to figure out what happened, where you are but you still get down on your knees and kiss the sand.

It’s like wandering through the desert for 28 days. You’re thirsty, hungry, lips cracked, skin red and aching but you’re grateful for the water at the oasis. However, you’re still wondering what happened, where you are.

It’s like crawling for hundreds of miles on your elbows and knees and someone, suddenly, helps you to stand. You are grateful and relieved but also feeling tired and looking down at your bloody joints.

It’s like buying a plot of land, planting one thousand seeds, watering, weeding and watching the plants grow, for years, until at the point of harvest, they bear fruit and someone comes at gun point to take it from you. You wander off the property and are suddenly given land that is double the size with fruit ready to be picked. You wonder how, why, where you are and what happened but you’re all at once grateful, excited and ready to move on. At the same time, you’re wondering what happened, always wondering what happened.

It is getting divorced and finding, on the same day, a girl, a woman, who touches your arm and says, “hi.” Six months later, you’re in love but, you’re wondering where you are and what happened. You’re grateful, excited and ready to move on but at the same time you’re wondering what happened, always wondering what happened, so that you’re not doomed to repeat your mistakes with the unicorn who touched your arm and said hello.

April 28, 2020

Evening on the patio.

by Marcus Jonathan Chapman

Living alone is survival. Life is being in a relationship. Life is a relationship. it’s strapping into a roller coaster with someone else and taking the ride. It’s seeing that person as the moment.

I wish I had taken more photos and videos of our time together. There is no poetry in that last sentence, only a cold realization. I have only memories and those fade and morph into abstract shapes. Blurry lines that only just begin to provoke a feeling. A photograph shakes the rest of the memory awake, giving that moment a life in the mind.

I was mistaken. The moment to be lived was not the place where we were or the thing we were doing. The moment was her. It was her reaction to the view, her laughter during the show, her smile after dessert. That was the moment and I missed it. I missed them and now they’re fading, leaving me with only lines and abstract shapes.

I came outside, after sobbing in bed, to write. Pincher pugs crawl everywhere and, though I don’t see them, crickets chirp.

I happened to pause and look up at the night sky, exactly at the moment that a shooting star entered the atmosphere and disappeared milliseconds later. That has happened to me more times than I can remember.

It was told to me, or maybe I read it somewhere, that to see a shooting star is an extremely rare occurrence. Not for me.

My instinct is to ask what it means. What everything means. What does it mean that I seem to see an unusual amount of shooting stars? If it is, in fact, unusual.

I’ve learned to stop myself, however, from asking those unanswerable questions of meaning. Rather than appreciate a thing for what it is, my mind moves to construct some larger, overarching truth that must apply to me. A virus that attaches to my brain and distracts me from what is, by pushing my mind to think about what must be. It manifests itself in religion, ideologies, and philosophies by feeding me thoughts that reaffirm or justify my actions. A virus that blinds me to the simple truths directly in front of me by forcing my mind to interpret instead what I wish to see.

The first step is admitting to myself that I am infected by the virus of meaning. I must admit to myself that everything I see, hear, smell, taste or touch does not necessarily bare itself into some greater truth. the virus, like a giant rolling ball of tar, picks up those things and tells me they are all related to the never-ending monologue in my mind.

That everything has meaning to me or that there lies somewhere in the depths of the ocean a cosmic truth that is false.

The next step I take will be in the wrong direction. I’m flickering. I’m not receiving any signals. The channels are fuzzy and the batteries in the remote are dead. I have nothing but the buzz of static to keep me company. No regularly scheduled programs, no advertisements, just a fork in the road and no information in my head. The glow of my screen the only source of light. A television with nothing to show. A television with no shows.

Then I met the girl that showed me the stars, that showed me her scars and the channel switched and the show changed. I changed. I can see something new, something new. Something better.

Race, Cry, Item

A short piece incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Starter pistols tuned
to octaves heard by few
rabbits sprint ahead
tortoise’ lumber through

furs blur
cotton tails fly
shells drag
Heads stir

Cataloging status
caterwauling malice
hare dares to stop
tortoise keeps his clop

quickly darting all positions
Slowly, slowly moving on
rabbit rests
tortoise tests

tortoise never rests
rabbit seems to test
finish line in view
rabbit stops for stew

cracking feet
steady beat
tortoise seize
the rat-race cheese

springing feet
halting beat
rabbit freeze
its cocky knees

line is crossed
rabbit lost
rabbit cries
tortoise never stops

Presence, Genuine, Recommendation

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Haunting impressions of weight all around
Hairs raise, spine tingles, eyes dart
Feelings unnoticed when presence is visible

Not seen, indescribable
Not truly what something is said to be
disingenuous

Authority proposes, recommends, imposes
Impotent listen
all are blind

All have a key, a few have influence
Some listen, some give orders
balance

Chaos, agent of too many free thinkers
Order, agent of few thinkers
chaos is order with none of the rules and all of the consequences

I think
I drink
I think
I drink
I

Sex, Win, Deposit

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Nose lost in cascading curls of hair
tongue tapping ear drums
flesh taught with bumps

Torso writhing
slipping on sweat beaded skin
sweet sweat

Adventurous fingers
traversing dunes, peaks and valleys
pushing in territorial flags

Allied conquistadors
Friendly foe
Choreographed wrestling

Negotiating deposits
Salivary transactions
biting lips, grabbing hips

Incan, Aztec, Roman, Egyptian
Games played ancient
always two winners


Topple, Rebellion, Penny

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

The Penny Rebellion started with an Instagram user, @toppletopkym. He was wearing a mask, as was the necessary trend of the time, to decrease the spread of the virus. Short videos of the rich and famous had spread of them showing mountains of paper money. So user, ToppleTopKYM, filmed a short video of his own. Up to that video, his account was frequented by family and friends, mostly concerned family and curious acquaintances, not so much friends.

ToppleTopKYM mimicked the other videos. Where as they would lay on their beds on top of piles of paper money, or hold stacks in their hands and swipe single sheets into the air until they floated down in a confetti of money, he converted his meager income into pennies. Using the camera on his phone, ToppleTopKYM made a series of split-screen videos where he mimicked the celebrities and their braggadocios content but with pennies. He laid on his bed making a snow angel out of copper, while next to him a clean-cut A-lister pretended to do the breast stroke through a pile of 100 dollar bills. He through pennies in the air and let them clank to the ground while next to that video played a man with sunglasses indoors and a gold chain making it rain 100 dollar bills.

He made these videos for quite a while, not really gaining any notice, until he made a post simply titled Penny Rebellion. This video began with the screen split. A chubby man was tied up in a throne on one side with stacks and loose piles of cash around him. On the other side of the screen sat ToppleTopKYM in a metal folding chair with towers of pennies. On his side of the screen, he began striking matches and throwing them at the pennies. He did this a few times before shrugging, then turning towards the other screen. He struck a match and began tossing it towards the stacks and piles of paper money. The man in the throne widened his eyes.

ToppleTopKYM, after unsuccessfully lighting either of the piles, metal or paper, walked to the throne side, revealing they were in the same room. Then he struck a match and held it to a pile at the foot of the throne. Smoke slowly rose, then a small flame and then the whole pile was alight. ToppleTopKYM walked back to his metal chair and sat down, scratching his head comically. He lit a match and held it to the pennies until the flame burned his fingers. He tried again and again.

By this time the tied up man was screaming but they were muffled by the gag in his mouth. Then ToppleTopKYM walked towards the camera and said, “Fire licks Metal until it’s black but it eats paper until it becomes ash.”

Then ToppleTopKYM turned and began kicking the towers of pennies. When they were flattened, he turned to the burning paper and began kicking them onto the throne while the king on the throne tried to scream. The video ended mid kick and scream.

This video went viral. People started making their videos showing their wealth in pennies. People began paying for everything in pennies, and it was legal tender, businesses lost countless hours counting. Then the videos took on a life of their own. There were videos of how to make bullets, knives and even guns out of pennies. People got tattoos of pennies and graffiti-ed images of pennies all over the buildings where they lived.

Then it became a movement. “Show us your pennies.” Meaning, show us you’re one of us.

Politicians, terrified, always terrified of losing their image began making speeches about how their fathers and grandfathers came to this country with nothing but two pennies in their pockets. To that the people replied, “show us your pennies.”

After much violence, spectacle and shifting of power the people grew tired of using so many papers. They eventually went back to paper and its practicality; it could be folded, you could carry a lot and ultimately it wasn’t about the currency, but really more about the pricks who flaunted it, or pretended not to.

And that, was the Penny Rebellion.

Trace, Estimate, Satisfaction

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

His fingers traced the groove that ran down the center of the barrel of the gun. The pointer finger taking a sharp right turn down to the end of the handle.

“And you know how to use that sweaty?” He licked his lips after he said it.

Her thumb clicked the safety off and moved up to the hammer, cocking it back. She double squeezed the trigger as if clicking a computer mouse. One, two shots went into his chest. The second bullet assisted the first through his chest cavity, and past T5 and T6 of the thoracic vertebrae. Her employers required such details so they could verify them with the coroners office and newspapers.

He was wide eyed and taking short halting breaths.

“To answer your question, yes, I do know how to use this thing.” She let it flop back and forth in her hand. “It’s pretty easy really, just squeeze. It’s like using a weed whacker or hand blender. Pretty straight forward.” She holstered the gun in her bra and put her white gloves back on.

“If I had to guess, you have about 10 to 15 minutes of living left to do. That’s a gift in my book, not many people are given the satisfaction of knowing how much time they have before, well you know.” She sat with her legs crossed, bouncing her right foot over her left and her hands stacked on her right knee.

“You…” he tried to say something but the effort produced bloody spittle on his lips.

“If I were you I would take time to review your surroundings. Start with this beautiful hard wood floor and work your way over the Persian rugs, carefully laid over one another as if haphazard, follow them to the base boards and their precision cuts all the way around the room. Take in the eggplant colored walls and up to the crown molding with its striking bevels, curves and lines so elegantly dividing the wall from the ceiling. Take in the Spanish style texture of the white ceiling and follow that to the center piece of the room, the French empire crystal chandelier. Note how it’s trimmed by Swarovski crystals. I bet you never bothered before today, huh?” She winked at him.

His eyes were glazing over but he laid back and stared straight up at the bell shaped light fixture dangling above him.

“If you don’t mind, I’m in a bit of a hurry, so as you pass I’m going to search your pockets for the information I am required to find. I’ll do that now.” She paused, as if waiting for permission, seeing him blink she proceeded.

Bus, Defeat, Miracle

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

He hopped on, paid the fair and took an open bench seat towards the back. Someone had vomited in the seat across the aisle from him. Gripping the handle above him, swaying with the bus, he lifted himself into the window seat and stared out.

The rain drops on the window made all the head lights look like shooting stars passing him. No one was walking the streets. Homeless were huddled at bus shelters, doorways and underneath shop overhangs.

Then, once again, he thought about her, a new her, a more recent her. As quickly as it had begun it had ended and instead of the hurt subsiding, it was rising again.

He lowered his sleeve by raising his arm and twisting his wrist to check the time. 40 minutes to get home, review what he had written so far, think about the new direction for the project and then call Larry. The new project was about his divorce but he couldn’t stop thinking about the girl friend he had had shortly after signing all the paperwork. He had lost her too.

Maybe lost wasn’t the right word, she had come and gone. He had to sit with that. Accept it and not hold onto it. It was too easy, with everything that had happened over the past year and a half, to not view things as defeats stacking up. He was winning in defeats. He snorted and smiled to himself, checking the neighborhood they were in. Two more stops.

No one saw the smile because of the mask he wore, everyone wore. The pandemic was still raging and he thought about how much social distancing he had already lost, now this “act of god.” It would be nice to experience a miracle some time soon rather than disaster after disaster.

One more stop. The bus pulled away from the curb and he watched the red and blue lights of a cop car across the street. They bounced all inside the bus when they passed.

He had to force himself to think about the story. At first a good idea. Taking his recent experience with divorce and creating a fictional horror out of it, exaggerating the feeling of loneliness, strangeness of the once familiar and the questions of what he had done wrong.

The bus stopped, he grabbed his bag and jogged around the corner to his building. Someone was exiting and held the door for him.

“Thank you.” he said passing.

“No problem, it’s nice to catch a brake sometimes.” The old woman laughed and let the door slip from her hand.

He kept going, trying to force himself to think of the story, to write what he knew but be separate enough from it to tell it coherently. Unlocking the door, he nearly tripped over his dog, Marty who was nearly seizing from excitement.

“Marty! Not now. I got work to do, bud.”

Setting his bag on his desk, he pulled out the notes he had begun taking. Reviewing all the acts and asking himself, what small details can I add that provide some relief to the heaviness of the story?

And I write.

A poem.

And I love you
even though
you are gone.

And I sit
in my feelings
and enjoy them
because I am alive.
And then
I feel
the next thing
that comes.

And ancient
cosmonauts
hold up
scepters
in a statue of liberty pose
in the kingdom
of outer space.

And wolves
drip bloody howls
into snow.

And red haired girls
dance
in fields of flowers
with their eyes
closed.

And
I write.

And
I love you
Forever.

False, Leave, Posture

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

Was it false? Her posture said yes when eventually she did leave. Her slow steps, that quick glance at the dogs, the fumbling with the lock she had opened hundreds, even thousands of times. Was she trying to convince herself of something? Something that she didn’t want in her mind but that her heart couldn’t support; not making the effort to pump blood to fingers, feet and eyes to make her way confidently out of the house.

I couldn’t know either but I suspected she wasn’t quite sure either. Decisions of the heart are never made in confidence. We may tell ourselves they are prudent choices but the heart plants a seed of doubt and only time will tell us if that doubt will grow into regret or die buried deep. I imagine that small unborn seed remains there, not growing but never truly dying, keeping its small hardness somewhere in the chest.

I wonder if it gets easier. Growth, nurturing, planting, giving, sharing time and energy. Or do those nutrients get lost with those seeds that never grow? Does the soil around those seeds grow into dust, leaving less and less space in the heart?

Then the weeds come. What did I do wrong? Was it this? Was it that? Was it all the things I was blind to? Was I selfish? Did I lose myself and become someone else? Will I be enough for anyone?

I’m only at the beginning but it already hurts to open up. It hurts to moisten and till the soil for new plantings. The first time, there was no pain in preparing for love but the more it happens, the more pain seeps into the process. The more those seeds of doubt poison what’s left of the soil around them.

What is love? Baby, don’t hurt me.

Ladder, Boat, Housewife

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

She came out of the water dripping. A scene of a movie during a time when movies objectified women. Could have been last Summer’s blockbuster. I digress. She paused at the aluminum ladder dipping into the water from the dock. She pulled herself up a rung to get her mouth and nose out of reach of the wake washing over her. A speed boat passed a few meters away, probably not seeing her. I’m sure it wouldn’t have passed so fast had she been standing on the dock, her full person visible.

After a few minutes she came the rest of the way out of the water and grabbed her towel resting next to a coil of rope. Drying her hair, she laid out the towel and sat down. Another boat passed, this one slowing its engine to a low growl when passing the dock. The men in the vessel, a cigarette boat, hooted, whistled and hollered at her. She laughed to herself, not out of flattery but because her 31 years of life had taught her a new law of nature, when she appeared, men gawked.

Now she was a housewife. Married to a man who had at one time had dreams. He had since achieved them but still rarely came home. He cheated. She wasn’t stupid. But she still knew, at one time, there love was true. She hadn’t sacrificed most of her 20’s waiting for him to finish medical school, then residency, then research, trials and awards. His ambition seemed to know no bounds and his cock didn’t either.

She stood up, grabbed her towel and walked up the dock toward their lake house. She passed through the tennis courts, pool, fountains and eventually made it to the open french doors leading into the back of the kitchen. Her bare feet slapped against the polished concrete floors, wet from the grass leading back to the house. She stopped at the fridge to grab a beer. Propping the cap against the counter and tilting the bottle at an angle, she slammed down her right hand, sending the cap spinning somewhere around the marble counters and tink-tink tinking down onto the concrete.

She had all the things her mother and father, church, school, friends and acquaintances told her she would want. But she didn’t. They told her she could live to a ripe old age, keep her looks up to her sixties and never want for anything. She would have rather lived 3-5 short years with a convict, running from the law, staying in cheap hotels with single digits in their names than to sit in luxuries lap, just waiting for something to move.

She took the winding staircase one step at a time into the master bedroom. She stepped into the shower and rinsed off. Another day to kill. Too much time and no life.

Retain, Function, Analysis

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

I haven’t the faintest idea how much I have drunk. I can see what’s left in the bottles and count the beers but those are no indicator as to the capacity or volume of liquid. At least not with my vision in the state it’s in. Perhaps an analysis of my personal ability to consume would be helpful if not at the very least interesting.

My ability to function with certain amounts of H20 and alcohol sometimes astonishes me. Bottles and cans shiver, empty next to the trash can, their use outlived, their spirits transferred into my being. I know that I am able to keep their contents long in the memory of my gut. My guts retention is amazing. A true American in all its glutenous, consumptive old glory.

Like those bottles and cans waiting to be tossed, I too shiver at the thought of needing more. A deep valley, is my body, slowly filling with the trickle of some Joshua tree property hose.

Yet, I still bob my head to the music, play with the dogs, wash the dishes, respond to endless streams of asinine emails and rub out those liquid pearls. What is a man to do with is time, his animal instincts and his intellect? To eat, to masturbate, to read, write and paint. That is how time is measured; in tasks, ideas, grunts and the reckonings of shame and regret.

Some of us take up our kitchen knives and create memories for our bellies. Some of us take up our kitchen knives and create outlets for pain. So much pain. What do we do with this pain? I don’t know, refer to how I spend my time.

The optimist believes in something greater, always better, a rising sun. The pessimist believes in nothing, see’s everything, the rising of the sun, its heat, its cancer, its vitamin D and its setting. The pessimist sees what is and optimist sees what could be. No one is only one of those things. It’s impossible to board an airplane and never think of its crashing.

Crystal, Axis, Angst

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

There is an angst that comes with the threat of suicide. Not one’s own, but that of one someone loves. It’s jarring. I love you so much so why would you not love yourself? That’s the question I find myself asking. Where will you go? If you are away from me, what will I do? Where will I be? How much time will it take me to get back on the path of “being okay”?

If I allow anyone to rotate around my axis, to be my moon and stars, how long will it be before they leave me? What have I been doing or not doing that removes them from my orbit? I am not the center of the universe but I like to gaze at the other stars, moons, planets and suns that grace me with their presence.

Don’t leave me. You’re light refracts from me. It reflects from me. I enjoy it’s rays coming to and through me. If your light is not there I am afraid of the darkness that will take over. I may find a new light but it will never uncover the shadows you have left.

A few have left me. A few leave everyone. Confused and contemplative of where we are left when those we love go away, whether from time or death, we stay and think. So I am here thinking.

I do not know where my crystals have gone. What will guide the light towards me when they are gone? When you are gone?

To punch the truth in the nose, why do some of my friends message me via text and never respond? “Hey, let’s hang out!” “Okay, what days and times work best for you?” I reply. But there is never a reply to mine.

Where will you go if you are not with me? Am I not adequate enough? because I feel that you are adequate enough for me, more than adequate. I love you but you leave me. So what do your words mean when they don’t match your actions?

A kitchen knife down the veins of a forearm. A car sitting idle in the garage. A man swimming out as far as he can to make sure he can’t swim back to the sand that grounds him.

Reasons to drink

Thoughts on growing up middle-class in America.

by Marcus Jonathan Chapman

At 3-4 years old I was asked which animals I wanted to pet in heaven. I was told from which star our savior would come. I was taught how to pray.

At 10-11 years old I got in trouble in my school for reading a book about my favorite dinosaurs, Velociraptors.

At 15 my grandfather attempted suicide. It was never talked about from that day forward, even though I saw him in a sterile facility, hair wispy, with a wrist band and hospital gown. I was asked if I wanted to go to church. I stayed home and watched stand-up instead.

At 33 I separated from my wife.

At 35 I get divorced.

At 34 I meet a real woman, I pee in my backyard, rent out a room to my best friend whom I met in rehab and do my best to limit my smoking and drinking.

And at some point I’ll stop listening.

I grew up in the land of mid-sized sedans, mini-vans and low-end luxury vehicles. The land where rap was tolerated as a phase instead of the gospel of fellow Americans. The land where men wore suits but ordered water when eating out on occasion. Where they preached loving they neighbor but threw their money at stained-glass windows and steeples.

I grew up in the land where causes had the opulence of being accessorized, awarded, badg-ed and medal-ed in. First place goes to the woman with her heart on her sleeve. What’s her prize? A podcast, followers and the right to perceive. Second place is forgotten.

I grew up where cultures were worn on the runway; tagged, liked and put to bed with the 24-hour news cycle. Where smiling with brace-corrected teeth was more important than listening. Where dents on garages were ignored for blue-tooth mirages. Where the placation of expressed problems were as cute as a stay-cation meme.

Meme, meme, me, me, me ,me: a virus of non-essential, feel-good, self-righteous, resting above comfortable but just below content ideas spread through imitation. Where love is shared with those who succeed and for those who don’t, martyrs are made. Where thought, like above, are unclear, influenced by what’s trending, not by what’s right.

I grew up where grandfather’s worked hard, father’s built empires and grandson’s teetered on their shoulders reaching for wisps of clouds. My hands are too soft, my mind too dull and my heart too brittle.

Where quarantine is spent at home with no reduction in grocery bills and no one wonders if today is the day. where there’s the luxury of debate, unpopular opinions and fundraising for traveling missionaries.

I grew up in the land where 14-year-olds built houses in foreign countries. Where 15-year-olds drove Mercedes-Benz and 16-year-olds started thinking about their parent’s colleges.

I grew up where authority is referred to on bend-ed knee but you don’t know what authority is. Authority is a running tally of wrist scars. Authority is counting days sober. Authority is orgasm at will. Authority is false teeth, cauliflower ears, and a crooked nose. Authority drags around an oxygen tank with wheezing breaths. Authority isn’t found on any screen, it rolls in a wheel-chair and dictates its will to on one.

I grew up where drugs, alcohol, pornography and other vice are worshiped for six days and absolved on the seventh. Where respect goes to the shiniest cars and the tannest chins. Where those who care the least are crowned the Kings and Queens of cool. A land of illusion where death is a shock at any age and life comes with medical, dental, optical and, a life insurance policy. Where people wait for bread with crossed arms and a tapping foot. Where necessity means a lack of excess and ignorance is an offer color joke chuckled at in church parking lots.

I grew up in the land of recycled boxes. Where one hundred rolls of toilet paper will never sell when on the self next to one-thousand roll packs for just a dollar ninety-nine more. Where emotions are changed by the click of a remote or swipe of a playlist.

No one taught me how to drink but Bukowski. No one taught me love but Shakespeare. No one taught me life’s lack of meaning but Seinfeld. No one taught me how to become a garbage pail for any drug passed my way but my lack of satisfaction. but I have a foot print on my ass the size of the middle class. Its kicked into my dockers in the direction of complacency, American democracy and mediocrity.

Rugby, Hair, Hammer

A short story incorporating three random words, written in 20 minutes.

by Marcus Jonathan Chapman

A real bruiser, this guy. He had a head that looked like it had been pressed by vices, one smashing his chin and nose, another pressing against his ears. His neck was about as thick as his skull. The rest of his body looked like a sculpture in progress. A cube of marble with arms, a chest, stomach, legs and feet with none of the ripples and bumps of a completed piece. He was a block.

He was most comfortable and alive in the middle of a scrum. Locked arm and arm with two other bruisers, pushing against the entirety of his opponents. His team would always say that they swore he was doing all the work and that they were just along for moral support.

He was one of those guys that stayed in shape from 18 to 50 years old, no matter how much he ate, drank or otherwise consumed. Teeth might fall out of his mouth but the rest of him remained an absolute unit, as they would say on the sidelines.

He would have kept going, there was no signs of him slowing down. Except one day his picture appeared in the paper. His face was caved in by a hammer. It appeared that someone wanted to put a little more detail into his bulky features.

And so he was remembered, briefly, by family, friends and team mates but will be all but forgotten when they also pass on. Hopefully by less artistic means.

Milkshake, Drawer, Dinosaur

by Marcus Jonathan Chapman

Did her milkshake bring all the boys to the yard? That’s what Milton wondered in his cell while two feet away from him, his celly took a shit. What was her milkshake? He knew, instinctively it was metaphorical language for the way she moved her ass while dancing. That invariably, those movements suggestive of animals presenting themselves for fornication would bring all the boys out to “play,” so to speak.

But why milkshake? Was it simply because of the word “shake” before that white silk that dripped from utters? Was the word yard to imply that the boys were in prison? So starved of female interactions that a simple shake would bring drooling “boys” from their cells to her side? Or was the emphasis on boys? That the yard was attached to a school and not a prison, making her statement more literal. That didn’t make sense, why use a word like milkshake to describe her dance, just to turn around and be literal about the school setting.

Milton scratched his nose, perhaps it was the waft of fecal matter, like the sudden chill of a ghost passing through the living, or perhaps he was reminding himself that he thought too much.

“Hey, you ever think about how dinosaur bones are gasoline?” Milton looked up at his celly, who often began think deeply while in his thinker pose.

“Um, no, I think about different shit.” Milton chose not to clarify that there was no pun intended. The pun being that shit referred to his milkshake conundrum rather than to the little brown bun coming out of his celly. And at that point, that little brown bun was making his nostrils scream.

“huh.” His celly began to wipe. Milton looked toward the bars of his cell. “It’s crazy how the death of some ancient creatures fuels so much of our lives.”

Milton thought his celly had a point but chose not to acknowledge it, they had plenty of time to build a deeper relationship.

“Hey, do you still drawer?” Milton winced at his celly’s pronunciation of draw. He pronounced it with an “R” rather than stop speaking after saying “draw”.

Milton turned back after the sound of the flush to answer.

“Yeah, I will once I get my pencils back.” Milton said, laying down in his bottom bunk, his head as far away from the toilet as possible.

His celly hopped up onto the top bunk.

“G’night, Milton.”

“Goodnight.”

Milton began drifting off, thinking about gigantic reptiles roaming the earth. Herds of triceratops, if they were called herds, keeping packs of Raptors at bay with their tri-horned faces. Stegosauruses whipping Tyrannosaurus Rex’s with their spiked tails. Woolly mammoths sinking in tar pits.

Milton’s celly pulled him out of the tar pit of sleep, one in which he was more than happy to sink. He was singing again, the same song as always.

“My milkshake brings all the boys to the yard
and they’re like, it’s better than yours
Damn right it’s better than yours
I can teach you, but I have to charge.”

Field, Carrot, Clock

by Marcus Jonathan Chapman

Immediately, he thought about Alice in Wonderland. The white rabbit frantically leaping into the air at every glance at his oversized pocket watch.

He snapped off the end of his carrot and kept thinking. More than a cup of coffee, chewing woke him up in the mornings. This morning, however, his mind seemed to be stuck in that fog between dreams and the reality of the world that his eyes took in.

He stared at the clock, hoping against hope that a story would come to him. Something resembling a beginning middle or end, but no matter how much he chewed or looked around the room, he stayed in his daze. A story was unable to develop, he was only able to fish out words, sentences but nothing that connected into an overarching narrative.

SNAP! He was getting closer to the end of his carrot but still no more alert than when his alarm had gone off. This morning, writing felt like dipping an oversized spoon into a bowl of alphabet soup. He was unable to be as precise as he’d liked and so meandered along, tapping away at the keys like a jazz pianist.

Tossing the end of his root vegetable in the trash, he turned to look out the window. His eyes finally registered something that pulled him into the land of the awake. A figure maybe 200 yards away, stood in the empty field near his house. As soon as he looked, the figure begin walking towards him. He turned back to his keyboard and typed:

A figure protruded from the weeds in the empty lot.

It was a good start, and further than he had written that morning. He looked back outside. The figure was still walking towards his window. A small mouse, crawled up his leg and bit his left calve.

Flinching from the pain, he reached down and touched the area. The mouse chomped down on his finger and hung, dangling with each of his movements.

Looking out the window, he could see the figure, now across the street, biting the air, holding out his hands to secure an invisible cob. The mouse crawled up his arm and reached his shoulder, biting down on the skin inside the clavicle. Right up against the outside of his window, the figure was smiling and licking at the invisible cob, furiously whipping his tongue side to side and shaking his head along it’s length.

He jumped up from his desk, flung the mouse from his hand and crawled back into his bed. Maybe sleep was better.